I believe they used some alternate vocals, but the original title is relatively easy to find on both CD & Vinyl - so a re-issue wouldn't make much sense really.
Sony needs to reissue/remaster The Memphis Record
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Re: Sony needs to reissue/remaster The Memphis Record
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Re: Sony needs to reissue/remaster The Memphis Record
The sound is crisp and clear and indeed there is some unreleased Elvis vocals and we have Suspicious Minds without the loop at the end.
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Re: Sony needs to reissue/remaster The Memphis Record
I didn't care for the album way back when. In fact, I wouldn't have bought it back when it was first released had I known exactly what I was getting.
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Re: Sony needs to reissue/remaster The Memphis Record
Too much 80's sheen on it but it was my go to for the 69 masters until the quad version made it to Apple Music.
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Re: Sony needs to reissue/remaster The Memphis Record
Back in 1987 I bought the vinyl release and some time ago I was able to get a bootleg cd version. I still listen to it from time to time because I like the mix better than the original one. It would be great if FTD would release it in the classic album-format with a nice 7" cover and a booklet. It would also be great if Sony would digitally issue a remastered version.
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Re: Sony needs to reissue/remaster The Memphis Record
Maybe they remixed everything before selecting the final track listing, would it be nice to hear the mixes of the songs not finally included.
Iván
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Re: Sony needs to reissue/remaster The Memphis Record
Given that the album was pressed in the USA and Germany in 1987, I am assuming that the source files were digital?
I had both the German pressing and the USA pressing but the USA sounds better to me? Can anyone comment?
I had both the German pressing and the USA pressing but the USA sounds better to me? Can anyone comment?
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Re: Sony needs to reissue/remaster The Memphis Record
I only have the European pressing form Germany. What differences are you noticing, Lester?LesterB wrote:Given that the album was pressed in the USA and Germany in 1987, I am assuming that the source files were digital?
I had both the German pressing and the USA pressing but the USA sounds better to me? Can anyone comment?
By the way, for certain everything from gold records 5 on was digitally done, maybe even before. Nothing against it. If well done, you cannot even notice it. See how MFSL has been making a living out of digital transfers while claiming everything was analogue.
The problem is that most 80’s Elvis projects sound very digital, because they were using all kinds of digital tools and artifacts, maybe out of novelty, maybe to make it sound contemporary. Grab the top ten hits and it’s screaming “I’m a pot filled with digital tricks”. Then take the uk all time greatest hits and you’ll have a very sympathetic project, with an overall great sound. Essential 2 it’s still one great sounding album too. Both done by the great Bob Bopin’ Jones. But Dick in the USA usually had a field day.
And yet, I really appreciate that they were really trying to do something new in terms of sound. And most of tue downside is the nasty noise
Reduction. But it wasn’t all their fault. Everybody and the cat was flipping over tue fact that Cds had no noise. And if some engineer preserved some noise from old tapes for the sake of better sound quality, there were people who actually returned the cds that had background noise.
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Re: Sony needs to reissue/remaster The Memphis Record
Agree with the noise reduction although I think digital noise reduction was first used around 1988. But it was used a lot after that, especially on the 50s and 60s boxes.
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Re: Sony needs to reissue/remaster The Memphis Record
I like this album very much. I have the LP and CD version. In my iTunes library it is the most played album.
I remember that the Brazilian fan clubs criticized negatively this mix at the time of its release, they called it artificial.
I really wish BMG had continued with these mixes, at least remixing the 1970 recordings.
An interesting question is to know if there were any mixed tracks left in the archives that were not used on The Memphis Record album. I have never read anything about this.
I remember that the Brazilian fan clubs criticized negatively this mix at the time of its release, they called it artificial.
I really wish BMG had continued with these mixes, at least remixing the 1970 recordings.
An interesting question is to know if there were any mixed tracks left in the archives that were not used on The Memphis Record album. I have never read anything about this.
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Re: Sony needs to reissue/remaster The Memphis Record
Hi Ivánfrus75 wrote: ↑Mon May 01, 2023 12:02 amI only have the European pressing form Germany. What differences are you noticing, Lester?LesterB wrote:Given that the album was pressed in the USA and Germany in 1987, I am assuming that the source files were digital?
I had both the German pressing and the USA pressing but the USA sounds better to me? Can anyone comment?
By the way, for certain everything from gold records 5 on was digitally done, maybe even before. Nothing against it. If well done, you cannot even notice it. See how MFSL has been making a living out of digital transfers while claiming everything was analogue.
The problem is that most 80’s Elvis projects sound very digital, because they were using all kinds of digital tools and artifacts, maybe out of novelty, maybe to make it sound contemporary. Grab the top ten hits and it’s screaming “I’m a pot filled with digital tricks”. Then take the uk all time greatest hits and you’ll have a very sympathetic project, with an overall great sound. Essential 2 it’s still one great sounding album too. Both done by the great Bob Bopin’ Jones. But Dick in the USA usually had a field day.
And yet, I really appreciate that they were really trying to do something new in terms of sound. And most of tue downside is the nasty noise
Reduction. But it wasn’t all their fault. Everybody and the cat was flipping over tue fact that Cds had no noise. And if some engineer preserved some noise from old tapes for the sake of better sound quality, there were people who actually returned the cds that had background noise.
It’s the same sort of difference between say the speakers corner FEIM and the USA pressings - a tape generation up. However, I have now had 3 USA pressings including a new sealed copy and all are slightly warped but still sound fantastic. I may buy another German copy and see if my memory is correct.
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Re: Sony needs to reissue/remaster The Memphis Record
All 3 copies you own are warped? Damn, that’s gots 2 suck.LesterB wrote: ↑Mon May 01, 2023 1:49 amHi Ivánfrus75 wrote: ↑Mon May 01, 2023 12:02 amI only have the European pressing form Germany. What differences are you noticing, Lester?LesterB wrote:Given that the album was pressed in the USA and Germany in 1987, I am assuming that the source files were digital?
I had both the German pressing and the USA pressing but the USA sounds better to me? Can anyone comment?
By the way, for certain everything from gold records 5 on was digitally done, maybe even before. Nothing against it. If well done, you cannot even notice it. See how MFSL has been making a living out of digital transfers while claiming everything was analogue.
The problem is that most 80’s Elvis projects sound very digital, because they were using all kinds of digital tools and artifacts, maybe out of novelty, maybe to make it sound contemporary. Grab the top ten hits and it’s screaming “I’m a pot filled with digital tricks”. Then take the uk all time greatest hits and you’ll have a very sympathetic project, with an overall great sound. Essential 2 it’s still one great sounding album too. Both done by the great Bob Bopin’ Jones. But Dick in the USA usually had a field day.
And yet, I really appreciate that they were really trying to do something new in terms of sound. And most of tue downside is the nasty noise
Reduction. But it wasn’t all their fault. Everybody and the cat was flipping over tue fact that Cds had no noise. And if some engineer preserved some noise from old tapes for the sake of better sound quality, there were people who actually returned the cds that had background noise.
It’s the same sort of difference between say the speakers corner FEIM and the USA pressings - a tape generation up. However, I have now had 3 USA pressings including a new sealed copy and all are slightly warped but still sound fantastic. I may buy another German copy and see if my memory is correct.
I recently found another copy, Still Sealed.
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Re: Sony needs to reissue/remaster The Memphis Record
It’s an edge warp so a visual problem more than an audio but still not ideal ofcourse. It is on both records on all 3 copies so probably the batch rather than bad luck.
I would be interested to see if yours has an edge warp.
I would be interested to see if yours has an edge warp.
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Re: Sony needs to reissue/remaster The Memphis Record
It doesn't.RickGreekElvis wrote:
I was just listening to this album today. I feel it needs to be back out there available on CD/Vinyl/Digital Download with upgraded sound.
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Re: Sony needs to reissue/remaster The Memphis Record
ItRickGreekElvis wrote:
I was just listening to this album today. I feel it needs to be back out there available on CD/Vinyl/Digital Download with upgraded sound.
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Re: Sony needs to reissue/remaster The Memphis Record
Blimey! A digital remaster of a digital remaster remix!
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Re: Sony needs to reissue/remaster The Memphis Record
The Memphis Record CD was also released /Made in Canada, Australia and JAPAN .
I like this CD and LP a lot .
I like this CD and LP a lot .
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Re: Sony needs to reissue/remaster The Memphis Record
I remember when I first picked up my cassette copy back in 1987 as a young punk kid and even then I noticed immediately the punchy sound, and the mixes were extremely different to what I had heard before.
I still love that album, but like others have commented, I would really like to hear the rest of the tracks that were not included on the original release.
It would have been great Had they (RCA/BMG) released a three (3) LP version, rather than have the redundancy of The Number One Hits and The Top Ten Hits, but I get why they did that.
Here’s hoping that we finally get the final masters, newly remixed and remastered with all the overdubs, released sometime soon before we all crap the bed.
I still love that album, but like others have commented, I would really like to hear the rest of the tracks that were not included on the original release.
It would have been great Had they (RCA/BMG) released a three (3) LP version, rather than have the redundancy of The Number One Hits and The Top Ten Hits, but I get why they did that.
Here’s hoping that we finally get the final masters, newly remixed and remastered with all the overdubs, released sometime soon before we all crap the bed.
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Re: Sony needs to reissue/remaster The Memphis Record
Back in '87,Memphis Record sounded fresh with more modern by offering alternate mixes to those great tracks. I liked it very much. For example,I remember thinking how clear and punchy the snare drum sounded on the lp. The more prominent harmony vocal on Gentle On My Mind still gives me goosebumps (in a good way). It has a very nice,longing, melancholic effect. Just what the whole song is about in the first place,at least to me.
On the other hand, the mastering lacked low end (bass),which made you miss some stellar,groovy bass lines played in the Memphis sessions.
I would say that remastering would be enough to bring that baby to the 2020's while still keeping the nice,alternate '87 mixes.
On the other hand, the mastering lacked low end (bass),which made you miss some stellar,groovy bass lines played in the Memphis sessions.
I would say that remastering would be enough to bring that baby to the 2020's while still keeping the nice,alternate '87 mixes.
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Re: Sony needs to reissue/remaster The Memphis Record
You had to stew on that response for a whole year did ya?
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Re: Sony needs to reissue/remaster The Memphis Record
What is? A reissue or crapping the bed?
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Re: Sony needs to reissue/remaster The Memphis Record
I bought the Q8 8track of From Elvis In Memphis years ago together with an quad 8track player and hooked it to 2 stereo amplifiers with speaker sets connected to recreate the quad experience. I still listen to that tape regularly and I can tell you that the quad mix of this album blows any other release out of the water. So pretty!Nigel77 wrote: ↑Wed Jan 18, 2023 3:09 amThis was my favourite release for the 10th Anniversary of Elvis' passing in 1987. Not sure how large an audience it would have in 2023, particularly after other reissues/remastered FEIM sets. Though, I wouldn't mind a remastered release of the quadrophonic 8-track release.
The Memphis Record is a great album too. I have both the original 1987 2LP set and the CD release. Why bother for a reissue or remaster when mint copies are up for grabs on Ebay?
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Re: Sony needs to reissue/remaster The Memphis Record
Quite extensive setup for just listening to the 4-channel mix of the album now and then. But definitely shows dedicatiion to the subject. Respect!Alexander wrote: ↑Wed May 01, 2024 9:15 amI bought the Q8 8track of From Elvis In Memphis years ago together with an quad 8track player and hooked it to 2 stereo amplifiers with speaker sets connected to recreate the quad experience. I still listen to that tape regularly and I can tell you that the quad mix of this album blows any other release out of the water.
Now,THAT mix should be released as a multi-channel DVD-A disc or something. And would make more sense than re-releasing The Memphis Record. Talk about bringing a new viewpoint to a familiar subject!
I would love to hear the 4-channel mix of that great album. However, I wonder if the master tapes of the mixes are anywhere in BMG vaults to be found anymore