Who knew it came out in the summer of 1960, and was a cover of a novelty rocker?
(Well, Elvis and the guys probably knew).
Red West, "F.B.I. Story" (Jaro 77031, July 1960)
For a sample, click --> HERE
The flip side, a doo-wop ballad, was written by Red.
Red West, "What Must I Do" (Jaro 77031, July 1960)
For a sample, click --> HERE
The acquisition of Red West's master tape got some play in Billboard, which noted his "filming" work with Elvis Presley, and that it was produced by Gary "Flip" Paxton.
Billboard - July 4, 1960
The production and performance on the novelty single "Alley-Oop" would pay off with a #1 hit the very next week! Paxton enjoyed a very strange, yet successful, career:
Gary Paxton
http://en.wikipedia.org/wiki/Gary_Paxton
There must have been visions at Jaro Records of Red's single following suit, and becoming another #1 novelty hit like "Alley-Oop." It landed a modest review in Billboard magazine a week later.
Billboard - July 11, 1960
As noted, "F.B.I. Story" was a cover of rocker Rudy "Tutti" Grayzell's summer 1959 single.
..
Rudy Grayzell and his Thunderbirds, "F-B-I Story," (Award 129, July 1959)
Rudy's track sounds pretty cool!
Award was an Oakland, CA record label, although Grayzell also recorded at least one single, "Judy," for Sun Records in Memphis.
Elvis, Rudy Grayzell, backstage in October 1956
Photo: Kicks Magazine
Rudy's earlier platter got an even better review than Red's in Billboard!"F-B-I Story" which he calls a "novelty tribute to J. Edgar Hoover with a rockabilly and R&B type kick". This wacky disc is peppered with machine gun sound effects and has a vocal group called the Scarlets doin' some crazy falsetto work behind his Coasters-type delivery, while Rudy's new combo the Thunderbirds pound out the rhythm. Considering how strangely unique and truly oddball the Award disc is, it's all the more wild that Elvis' right hand dingaling Red West ended up covering it on the Jaro label.
http://www.rockabillyhall.com/RudyGrayzell1.html
Billboard - July 20, 1959
But neither version dented the charts, and it remains a question whether Elvis contributed to the recording of either side of West's debut single. He was working a lot in Hollywood at the time.
If Red's friend did provide assistance, it had to be on the lowdown, lest RCA or Presley management blow a gasket.
Anyone know more?