The Beatles Pseudo and Fan-Made Productions

[Walter Hale 4]

[Walter Hale 4]

[Walter Hale 4]

[Walter Hale 4]

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Superb job by Mr. Clynaack, centralizing the instruments.

Here's one with John's vocal only........

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Stripped down version, credit goes to "isotrax".

[Walter Hale 4]

just noticed "You like me too Much" i added earlier, was removed by the uploader.

Now here's a deconstructing 14 minute video made by Rock Band Stems

Deconstructing The Beatles - You Like Me Too Much (Isolated Tracks)



Made with Demucs4 HT.
Mix used : Original 1965 Stereo Mix


Quote Rock Band Stems: Man does YT not like this song lol.
There's a bunch of sound cuts I had to make unfortunately.
I've joined a link to the most affected isolation, the rest will be uploaded on their own without any major cuts.

0:00 Bass
2:25 Drums + Tambourine*
*Tambourine played by John, forgot to put his picture
4:50 Piano + Acoustic Guitar *
*Intro cut for copyright, will be out in full soon
7:25 Pianet + Piano + Lead Guitar*

*Had to cut the solo and the outro, see it in full here :


10:01 Instrumental
Getting it on YT was a pain, had to cut the intro, the solo and part of the outro for it to pass. Will be out without the outro cut alone.
12:26 Vocals


Made with Demucs4 HT.
Mix used : Original 1965 Stereo Mix

[Walter Hale 4]

Radio Wollaton has put together a new, more balanced, stereo mix for the Beatles epic "Hey Jude".
This one has stereo backing vocals.

[Walter Hale 4]

and here's another one by
britt2001b...



Now britt2001b says his new remix on one of The Beatles' most enduring songs uses the 2015 remastered version as its source. The most notable change you'll hear is the repositioning of the piano, which has been moved from the right channel to the center for a better balance.

Additionally, britt2001b says he chose to spread the acoustic guitar across the stereo stage, with its sound occupying both the right and left, surrounding the centered piano.

To add more depth, John’s vocal harmony have been separated from Paul’s lead vocal at key moments.

With these adjustments,britt200 has applied a touch of equalization and processing to bring an added richness and warmth to this timeless classic.

The video was created entirely without the use of A.I.— only human ingenuity at work



I'm not sure which one of these two i like the best but it's nice to listen to them back-to-back for 15 minutes

[TCB-FAN]

and here's another one by
britt2001b...



Now britt2001b says his new remix on one of The Beatles' most enduring songs uses the 2015 remastered version as its source. The most notable change you'll hear is the repositioning of the piano, which has been moved from the right channel to the center for a better balance.


I'm not sure which one of these two i like the best but it's nice to listen to them back-to-back for 15 minutes

My old lad ears could not tell the difference between the two mixes, but enjoyed it just the same.

[Walter Hale 4]

First demoed in May 1968 at George's house in Esher, the song was brought into the studio August 22nd, 1968. During this session Ringo walked out quitting the band due to Paul constantly sitting in on the drums as he wanted a particular pattern. As Ringo explained in the Beatles Anthology, "I felt I wasn't playing great, and the other three were really happy and I was an outsider. And so, you know, I came to this decision, ''F*ck it, I'm leaving.'" Paul explained that, “I'm sure it pissed Ringo off when he couldn't quite get the drums to 'Back In The U.S.S.R.' and I sat in. It's very weird to know that you can do a thing someone else is having trouble with."

After Ringo walked out they recorded the basic track of the song. The basic track had Paul on drums, George on electric guitar, and John on a Fender VI bass strumming chords. At 7pm the next day the three remaining Beatles returned to EMI completing the song with additional drum, bass, guitar, and piano overdubs. I think that the guitar and piano overdubs were done at the same time. In every mix of "Back In The U.S.S.R." the piano and guitars are stuck together. So that means George and John were on guitar while Paul was on piano. This opens up the possibility that it was George who played the guitar solo as well. After that track's tape speed was raised leading to a higher tempo and pitch. It's here that Paul recorded his lead vocals with John and George providing harmonies. These harmony vocals were reminiscent of the Beach Boys who the song was an parody of. John doing the low "da" vocal harmony with George doing the high harmony. They then double tracked some of these vocals with Paul joining in with Georges harmony at the end. Hand calps were also done during this overdub. The last order of business was adding in the plane sounds.





Intro (0:00)
Drums (0:12)
Overdubbed Snare Hits/Hand Claps (2:42)
Basses/Galloping Guitar (5:09)
All Vocals (7:44)
First Tracked Vocals (10:07)
Second Tracked Vocals (12:32)
Airplane Sound Effects (14:08)
Electric Guitars (16:50)
Piano (18:47)


Quote Isolated Srems: For these isolations I used the 5.1 atmos mix, 5.1 Love mix, and original stereo mix. I isolated them at the original slower speed which seemed to create better stems. For me I think there are at least 3 basses with a high possibility of at least four. John's strumming bass, and I hear at least three other basses...

[Walter Hale 4]

awesome production here.




55 years ago from today the basic track for Let It Be was recorded. The song received a new guitar solo on April 30th 1969, but the majority of overdubs were made on January 4th, 1970. John didn't take part of the overdubs as he quietly left the band in September 1969. Phil Spector did not add anything to Let It Be only overdubbing for The Long and Winding Road, I Me Mine, and Across the Universe. The overdubs consisted of a new bass part replacing John's original part, three part harmonized vocals provided by George, Linda, and Paul, a new stinging guitar overdub by George, some overdubbed tom and snare parts from Ringo accompanied by maracas provided by Paul, electric piano by Paul, and lastly some brass, sax, and cello parts arranged by George Martin. The original single version of the song used the April 30, 1969 guitar solo while the album version produced by Phil used the grittier January part.

quote isolated stems: I've tried to separate all the elements of Let It Be into their own separate tracks. There were some issues such as the maracas really blending with the cymbals. I also had to add reverb to the beginning of the piano.


Beginning (0:00)
Piano (0:20)
Drums (4:08)
Ringo's Overdubbed Tom (7:02)
Ringo's Overdubbed Snare Hits (7:30)
Paul's Overdubbed Maracas (7:56)
Paul's Overdubbed Bass (8:52)
John's Original Bass (11:38)
Vocal (14:22)
Harmony Vocals (17:10)
Original Guitar Track (18:40) [Includes "Ghost" Solo]
Overdubbed April 1969 Guitar Solo (19:44)
Overdubbed January 1970 Guitar (20:13)
Billy Preston's Organ (21:25)
Brass and Sax (24:18)
Cello (25:46)
Electric Piano (26:02)
Ending (26:20)

[Walter Hale 4]

[Walter Hale 4]

The Beatles & Billy Preston - One After 909 (Deconstructing)

[Walter Hale 4]

[Walter Hale 4]

[Walter Hale 4]

[Walter Hale 4]

[Walter Hale 4]

The Beatles - Now And Then (2024 Mix V2)...

[Walter Hale 4]

The Beatles - Real Love Enhanced Vocals Anthology 2 Version..

[Walter Hale 4]

[Walter Hale 4]

Deconstructing I've Got A Feeling - The Beatles and Billy Preston, Rooftop Concert (Isolated Tracks)



Cymbal Noises (0:00)
Drums (0:10)
Bass (3:27)
Paul's Vocal (6:30)
John/George Vocals (9:40)
Highlighted George Vocals (11:51)
Billy's Piano (12:09)
John's Guitar (15:13)
George's Guitar (18:46)
Ending (21:46)
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[Walter Hale 4]

While My Guitar Gently Weeps [Love Version] - The Beatles (Isolated Tracks)

This version was based off a early acoustic version of the song with Paul playing an organ. Eventually it would appear on the Anthology. Because of it's inclusion when it came time to record the soundtrack to Beatle's Cirque du Soleil show, "Love" this version was chosen over the album version.

According to George Martin, "We wanted to use George Harrison's song, "While My Guitar Gently Weeps", and the version that everybody knows, which is on the album, was going to be used in the show. But then Dominic, who has been trawling through the anthology all the time, listened to one of the tracks where George virtually made a demo. And he liked this very much. And I did agree with him. It had a wistful quality that the master didn't have. This song is such a tender song for George. And George isn't with us anymore. And it's my responsibility in adding music to this weighed very heavily on me."

This is the last orchestration recorded and scored for by George Martin for a Beatles song. As per usual his orchestration elevates the song to new heights which I think makes it better than the Album version.


Guitar (0:00)
Vocals (3:15)
Organ (5:56)
Strings (7:11)
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George Harrison - Lead Vocals, Acoustic Guitar (Gibson Acoustic)
Paul McCartney - Organ (Harmonium)
George Martin - String Arrangement

[Walter Hale 4]

Helter Skelter [Mono] (clynaack remix)

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