What were Elvis highlight moments after 1973?
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What were Elvis highlight moments after 1973?
In the early 70's most things were going great for Elvis, careerwise. A great recording session in Nashville and 'That's The Way It Is' in 1970, 'On Tour' which won Golden Globe in 1972 and 'Aloha From Hawaii'in 1973.
Now with his divorce and lack of recording in the last 4 years what are the highlights that can be picked out?
A couple that come to mind are playing his hometown of Memphis in 1974 that was recorded by RCA and the fabulous 'Today' album of 1975.
Andy
Now with his divorce and lack of recording in the last 4 years what are the highlights that can be picked out?
A couple that come to mind are playing his hometown of Memphis in 1974 that was recorded by RCA and the fabulous 'Today' album of 1975.
Andy
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I'd say both his new year's eve concerts (75 and 76) were highlights.
Elvis himself even talked about his '75 New year's concert on stage later, so obviously it was something more than "just another concert" to him.
The CBS concert special in 1977 was unfortunately not the highlight it could have been, though people hadn't seen Elvis in a new production on TV since 1973...
Elvis himself even talked about his '75 New year's concert on stage later, so obviously it was something more than "just another concert" to him.
The CBS concert special in 1977 was unfortunately not the highlight it could have been, though people hadn't seen Elvis in a new production on TV since 1973...
"There must be peace and understanding some time..." (If I can dream)
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The December '73 Stax sessions.
The '74 'homecoming' concerts in Memphis.
The '74 Astrodome shows.
The July '75 tour (particularly the Uniondale N.Y. and Ashville N.C. shows).
The '75 New Years Eve show (largest live audience of his career).
The singles Promised Land (arguably his last great rock & roll recording), My Boy (U.K. top 5 and #1 U.S. Adult Contemporary chart hit), Moody Blue (U.K. top 10 and U.S. country chart #1).
The July '76 Memphis show.
The December '76 tour.
The '74 'homecoming' concerts in Memphis.
The '74 Astrodome shows.
The July '75 tour (particularly the Uniondale N.Y. and Ashville N.C. shows).
The '75 New Years Eve show (largest live audience of his career).
The singles Promised Land (arguably his last great rock & roll recording), My Boy (U.K. top 5 and #1 U.S. Adult Contemporary chart hit), Moody Blue (U.K. top 10 and U.S. country chart #1).
The July '76 Memphis show.
The December '76 tour.
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The above mentioned concerts surely where highlights. Elvis got another Grammy for his 1974 recording of "How Great Thou Art" and he won quite a few awards given him by the readers of different entertainment magazines. And he was mentioned all through his career for breaking audience records in the concert venues he played in. His records kept selling also and right before his last show he got an award for selling 600 million records. Even though no one really believes this figure (they had no real computers back then and no one counted the sales with a bar code scanner), we surely can agree that Elvis had sold a lot more than any other artist by then. I guess most of the so called superstars would be glad, if they would sell like Elvis did during his last years and to be loved by so many people.


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It is commonly claimed that his manager creamed off a large chunk.music2 wrote:With so many records sold, what happened to all the money generated from his record sales throughout the years?
And, of course, sold off the rights to the pre-1973 stuff before the end.
Colin B
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Judge a man not by his answers, but by his questions - Voltaire
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Steve M- Your comment is a little harsh. I think the Pittsburg show was a flat out good show for anyone. There's a lot more that goes into making a good show than just good music and there's a certain vibe there. I've seen a lot of veteran acts who put on a show very similar to that and everyone has a good time. The thing is that in 1969 and 1970 Elvis was doing great shows and that kind of skews the scales.
"Hurt" was a definite highlight. Dave Marsh and John Swenson thought enough of it to place it as their #9 single for 1976 in their book of rock lists. "T-R-O-U-B-L-E" was also a highlight. And selling 60,000 tickets in Pontiac Michigan was a definite highlight by anyone's standards.
It was not a period of great success for Elvis overall but there were moments and it was a relatively small period of time.
In 1974, he didn't record at all. Had he followed the same strategy on the road perhaps he could have recharged his creative batteries. However, his spending habits and the Colonel's mismanagement placed him in a position where he basically had to perform.
"Hurt" was a definite highlight. Dave Marsh and John Swenson thought enough of it to place it as their #9 single for 1976 in their book of rock lists. "T-R-O-U-B-L-E" was also a highlight. And selling 60,000 tickets in Pontiac Michigan was a definite highlight by anyone's standards.
It was not a period of great success for Elvis overall but there were moments and it was a relatively small period of time.
In 1974, he didn't record at all. Had he followed the same strategy on the road perhaps he could have recharged his creative batteries. However, his spending habits and the Colonel's mismanagement placed him in a position where he basically had to perform.
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I think there is a strong pull towards "Hurt" as a masterpiece. Many critics- Greil Marcus, Dave Marsh, Simpson, etc list it as one of Elvis' best and among fans it's definitely a major piece. Also the attendance record in Pontiac Michigan was a highlight by any standard. It was something like 12 years before that mark was toppled for a single attraction indoor event.
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Here's a question, what highlight from any artist could compare with Aloha in the seventies?Steve_M wrote:LTB, I dont think my comments were harsh if only because that wasn't my intention to be. But it is hard to say when the definition of "highlights" is not clear. That's why I was trying to compare it with what other acts were doing and what Elvis had done. A good concert wasn't necessarily a highlight to me. Aloha was because as you say its not just about good music.
If Aloha was a highlight then what other "Alohas" did Elvis have after 1973 ? so far I've come up with none.
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True, but everything can't be on that grand a scale all the time or there would be no highlights, does that make sense?Pete Dube wrote:Those Uniondale N.Y. shows were highlights. But I'll grant Steve's point. After Aloha there was nothing on that grand scale, nothing to capture the attention of the general public. Still, there was plenty to enjoy in the post Aloha period, some of which can be considered highlights.

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Yeah that makes sense Joe. But here's the thing: In the years 69-73 there was progression. In '69 there was the re-establishment of his recording career with the Memphis sessions, and the triumphant return to live performances in Vegas. In '70 there was the Astrodome and the first tours since '58. '71 brought more tour dates in some of the major U.S. cities and the Tahoe engagement. '72 saw the substantial increase in the number of tour dates including the conquering of New York City with the high-profile MSG shows. And in '73 came Aloha.Joe Car wrote:True, but everything can't be on that grand a scale all the time or there would be no highlights, does that make sense?Pete Dube wrote:Those Uniondale N.Y. shows were highlights. But I'll grant Steve's point. After Aloha there was nothing on that grand scale, nothing to capture the attention of the general public. Still, there was plenty to enjoy in the post Aloha period, some of which can be considered highlights.
But after this his career went into a holding pattern. The logical next step after Aloha was to bring the roadshow to western Europe and Asia. Instead, it became a merry-go-round of Vegas, U.S. tour dates, and Tahoe.
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There's more recording highlights than just Hurt Steve. I've Got a Thing About You Baby; For Ol' Times' Sake; Promised Land; Lovin' Arms; Good Time Charlie's Got The Blues; T*R*O*U*B*L*E; Shake a Hand; Danny Boy; For The Heart; Moody Blue; She Thinks I Still Care; Way Down; Unchained Melody. There are other decent performances, but these are the cream of the crop.
That Elvis was even able to produce some great recordings and give some great concerts whilst caught in the grip of severe addiction and depression is not something to be brushed aside lightly.
That Elvis was even able to produce some great recordings and give some great concerts whilst caught in the grip of severe addiction and depression is not something to be brushed aside lightly.
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Pete Dube wrote:
In order to immediately top the "event" that was Aloha, Elvis would have had to strap himself into a rocket and perform on the moon.
What could have possibly topped Aloha? Sure, Elvis could have done a world tour...it would have been very well recieved, but it essentially would have been the same show, same song list, just different faces in a different city, in a different country.After Aloha there was nothing on that grand scale, nothing to capture the attention of the general public.
In order to immediately top the "event" that was Aloha, Elvis would have had to strap himself into a rocket and perform on the moon.
Eagle
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This is where you and Ger are missing the point Steve. It's not so much that he didn't want to seek new goals as it is that he simply couldn't. Depression saps the desire and enthusiasm to do much of anything right out of a person.Steve_M wrote: Well done Elvis, bet you feel mighty proud of those achievments given the weaker start you had to the 70's.![]()
Harsh it is, but not as harsh as Elvis was to himself by not wanting to seek new goals out.
Again, he didn't 'walk away' from the desire. Depression takes it way from you.Steve M wrote:
Elvis produced Aloha, no other acts could do it at the time and didn't for many years later. But having done it he walked away from any desire to to do again.
Steve M wrote: Elvis didn't want any highlights after 1973, not enough to succeed in getting them. Those he got he got almost by default or design and rarely of his doing, Hurt aside, though i don't particulaly like it myself. A good performance of a song is a good performance no matter what the individual listeners tastes are.
Yet again it's not a question of 'didn't want.' He couldn't want. And as for successes by default, the man walked up to the microphone, opened his mouth and sang. Hurt; Promised Land; Shake a Hand; Way Down weren't great performances by accident, they were great because he gave great vocal performances.
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Pete, I give you credit, you are always fair and compassionate in your assessment of Elvis and his struggles near the end. To me, your input is very much appreciated. All I ever asked is for people, ( especially his fans) to cut him some slack for what was a very rough last few years, both physically and emotionally.