A performance from 1959 came out just before Christmas on the Steeplechase label. Steeplechase are a jazz label in Denmark, and have only recently started releasing new "archive" concerts again after a very long break. The date on the front cover is a mistake; it should say April instead of May.londonflash wrote: ↑Sun Jan 22, 2023 11:37 pmEnjoyed reading your thoughts on Ella up-thread, pmp, but didn't want to quote a long post. You mentioned three recently released concerts - I'm aware of the Hollywood Bowl set, but what are the other two? Thanks.pmp wrote: ↑Sun Jan 22, 2023 12:12 amI completely forgot about See See Rider and Crying in the Chapel. I can't think of the last time I played These are the Blues, the album that See See Rider comes from. Jazz organ just drives me nuts, and it never lets up on that one!splanky wrote: ↑Sat Jan 21, 2023 10:42 pmThanks to pmp for insightful thoughts on Ella's work , talents and attitude to music . It seems she was very
responsive to songs recorded by The Beatles . That's understandable considering their impact in the latter
part of the sixties .
But I'd like to mention that she also recorded a lot of songs we associate with Mama Presley's son . Songs like ,
Crying In The Chapel , See See Rider , Dixie ( the first part of American Trilogy ), Fools Rush In and
Winter Wonderland .
Of course , all of can be considered standards or evergreens . Likewise , Ella recorded some Gospel songs and
Christmas songs that also was covered by Elvis .
The other one came out on Friday of this last week, and is the first CD release of her performance at Montreux in 1969. Not a new concert as such as it had been on DVD before, but this is the first time on CD, and in much better sound. This one is issued by Universal/Mercury.
Ella's shows were often taped for radio broadcast, or broadcast live, and Norman Granz made many more recordings of his acts than he needed at the time, and many of those broadcasts and tapes have appeared over the years, both through the major labels and companies specialising in the release of such out of copyright material in Europe, generally getting the tapes directly from the radio stations. Which is why the PD laws here are extremely precious, as much of the music would never have seen the light of day.
The following is from a performance of I Can't Give You Anything But Love in 1969, some twelve years after the Newport show. As you can hear, she continued the "ad libs" even all that time later. You can hear the references to Elvis at 2.50. I must try to find a copy of that CD, I might add, as this release sounds far superior to the one I have.