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Next is a messed up and short version of IJCHB (Elvis messes up feels so small and helpless + no reprise), then Stranger In The Crowd – which is a nice live rarity but:
Elvis messes up the first line – “I was standing on the corner at a quarter to 11” … instead of “I’d been standing... since a quarter after 7”. Thus rendering the next line “and the clock in the window at a quarter to 11” pretty stupid. He then completely screws up the line just the loneliest guy in the town (says crowd) then mumbles the rest. - “Love had found us on the corner at a quarter after 7”!! Hmmm.
Hmmmm ain't life a b*tch! Maybe he should have rehearsed it a few more times that nasty 'ol Elvis.
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Then it’s into Sweet Caroline – a false start shows that again Elvis struggles to remember words to a song that he has been doing since the February engagement. Seems Elvis struggled with this song throughout the 70s. When the song restarts it is a fairly solid performance, broken up with a bit of chuckling towards the end
Oh I LOVED that bit!
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Next comes You’ve Lost That Lovin’ Feelin’. This should be a real show highlight, but again Elvis messes up the lyrics. “There’s no tenderness when you reach out for you…” Hmmm. Then “it just me just feel like crying” then Elvis almost misses the woo woo woo – very sloppy work.
Aww there there -- must thave been one of the ''reviewers'' favourites and that nasty Elvis messed it up. Shame on him!
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Thankfully Polk Salad Annie (the familiar EAP box set version) is a show stopping performance
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Yep -- agreed -- worth the price of the disc alone imo.
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Then it’s into the introductions (including 2 and a half minute long walkabout while Elvis recovers from PSA) – nice for the people up front, but not so good for the rest of the paying customers, or indeed the listener.
Well, I've said it once and I'll say it again -- ain't life a b........
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We get the usual offensive Tutt Scheff (tough sh’t) joke. James gets introduced as Chuck Berry, Charlie is Kate Smith, we get introduced to the kettle drum player but embarrassingly Elvis forgets to introduce Millie Kirkham and has to be reminded after he starts into his early career monologue. He apologises (“I’m sorry dear, that’s what you call messing up with the numbers, except you don’t say messing…””)
Ha! Love it -- and so did those in the audience if irrc.
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Straight into the abbreviated early career story (complete with the risqué son..bitch Ed Sullivan quip) followed by The Wonder Of You (adequately performed), and a slow & bluesy Heartbreak Hotel. A short, perfunctory Blue Suede shoes follows at 99 mph, complete with more unnecessary Dinner Show profanity (slander my ass all over the place declares Elvis).
Now now Elvis remember the 9 o clock watershed!!!!
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On One Night Elvis gives a steamy and cool delivery, followed by an obligatory and short ‘n’ fast All Shook Up. (“That’s 6, I got 44 more to go now.”)
“Let’s Get serious” (at last!) declares Elvis before launching into the sublime Bridge Over Troubled Water. 4 minutes of near vocal perfection. It lacks the drama of 1977, but you can’t fault the delivery or musicianship.
No you most certainly can't!!
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With barely pause for breath, Suspicious Minds kicks off at a pretty fast pace. Why Elvis felt it necessary to add “shove it up your nose” so often is an annoyance, as is “dry the “sweat” from your eyes”. One days classic is the next days throwaway even in 1970 it seems. A barnstorming (and visually impressive no doubt) ending rescues the song somewhat, before a quick “you’re a beautiful audience …. Thank you very much” and into CHFIL. One of the coolest moments of the show comes right at the end when Elvis shouts out “BYE!” (probably from under the gold curtain) after the closing notes.
Cos he wanted to and it fit into the song quite well so there!
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As ever the crowd was entertained, sloppy performances accepted, not excepted."
Never has a truer word been said!!
There you go Mr/Miss/Ms Reviewer/ Critiquer -- see how you like the bones been picked out of your work