Sun Jan 27, 2013 3:32 am
Sun Jan 27, 2013 5:57 am
karlos wrote:Wonderful dance Moves By Our King -
Please Follow Link
See Elvis Doing MoonWalk Before M.Jackson On Certain Moves In Dance - Love This
Enjoy Y'all
(Eat Ya Heart Out M.Jackson - )![]()
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Sun Jan 27, 2013 6:58 am
Sun Jan 27, 2013 7:32 am
Sun Jan 27, 2013 7:48 am
Sun Jan 27, 2013 11:01 am
Sun Jan 27, 2013 1:10 pm
Sun Jan 27, 2013 1:32 pm
Sun Jan 27, 2013 4:12 pm
SuspiciousMind wrote:Elvis' dance moves were masculine whereas Jackson's were feminine. Elvis could really move in a way that not many had ever seen. Jackie Wilson himself got some of his incredible style and moves from Elvis. He even publicly admitted to it. In fact, a lot of African American entertainers have studied Elvis and taken from his actions on stage. Today, all of the top dance performers have to have a choreographer when doing dance numbers. Elvis never had a choreographer to tell him how to dance a certain way. His moves were all natural. He did whatever he felt at that particular moment.
Sun Jan 27, 2013 4:33 pm
Sun Jan 27, 2013 4:37 pm
Joe Car wrote:Our guy's moves were phenomenal on stage, just how his body was completely in tune with the beat. Even in the sit down shows, his feet would be in perfect tempo with the drums.
Mon Jan 28, 2013 8:41 am
drjohncarpenter wrote:Joe Car wrote:Our guy's moves were phenomenal on stage, just how his body was completely in tune with the beat. Even in the sit down shows, his feet would be in perfect tempo with the drums.
What drums?
Mon Jan 28, 2013 8:47 am
Dan_T wrote:drjohncarpenter wrote:Joe Car wrote:Our guy's moves were phenomenal on stage, just how his body was completely in tune with the beat. Even in the sit down shows, his feet would be in perfect tempo with the drums.
What drums?
Ha...you know what he means, John... DJ's drumming on the Guitar case !
Mon Jan 28, 2013 10:05 am
drjohncarpenter wrote:SuspiciousMind wrote:Elvis' dance moves were masculine whereas Jackson's were feminine. Elvis could really move in a way that not many had ever seen. Jackie Wilson himself got some of his incredible style and moves from Elvis. He even publicly admitted to it. In fact, a lot of African American entertainers have studied Elvis and taken from his actions on stage. Today, all of the top dance performers have to have a choreographer when doing dance numbers. Elvis never had a choreographer to tell him how to dance a certain way. His moves were all natural. He did whatever he felt at that particular moment.
You pack a lot of ... curious comments into a single paragraph.
Jackson's dance moves were no more "feminine' than one of the men who inspired him, Marcel Marceau. Wilson's "public" admissions are unknown to me, as well as the absurd suggestion of "a lot of African-American entertainers" studying and taking cues from Presley. And the statement that "Elvis never had a choreographer" reveals a superficial understanding of our guy.
Even the video posted here speaks of MGM choreographer Alex Romero's work with Elvis on the famous "Jailhouse Rock" sequence. Actor/dancer Russ Tamblyn also gave Elvis some dance tips for the film, after Presley visited him at his Los Angeles beach house.
Elvis took choreography from Charles O'Curran in "Loving You" and many other Paramount films to follow. Famed choreographer David Winters came to "Viva Las Vegas" after a recommendation from Ann-Margret.
David Winters (dark sweatshirt), Teri Garr, Elvis - filming "Viva Las Vegas," July-August 1963
http://en.wikipedia.org/wiki/David_Winters_(choreographer)
Winters got a thank you note from producer Joe Pasternak after his work on Elvis' next MGM project, "Girl Happy."
Producer Joe Pasternak Letter to David Winters, circa May 1965
"Maid In Paris," starring Ann-Margret, was released by MGM in 1966.
There's always more to learn when it comes to Elvis!
Mon Jan 28, 2013 10:44 am
promiseland wrote:I'm guessing this was for the "Do The Clam" sequence?
Thanks Doc for posting these.
Mon Jan 28, 2013 4:57 pm
Dan_T wrote:drjohncarpenter wrote:Joe Car wrote:Our guy's moves were phenomenal on stage, just how his body was completely in tune with the beat. Even in the sit down shows, his feet would be in perfect tempo with the drums.
What drums?
Ha...you know what he means, John... DJ's drumming on the Guitar case !
Mon Jan 28, 2013 9:49 pm
Mon Jan 28, 2013 10:42 pm
Mon Jan 28, 2013 10:57 pm
Mon Jan 28, 2013 11:03 pm
Chris Roberts wrote:David Winters was born David Weizer in London, England and moved to the US in 1953. The first time that I saw him was in the 1956 film 'Rock Rock Rock' which also starred Tuesday Weld (Wild In The Country). He also had a big part in 'West Side Story'.
He was the choreographer on 3 Elvis films 'Viva Las Vegas', 'Girl Happy' and 'Tickle Me'.
My favourite Elvis stage moves are from the 1957 Tupelo show. Real cool and natural without a choreographer in sight!!
Mon Jan 28, 2013 11:07 pm
steevefry wrote:LAS VEGAS AUGUST 1974
Tue Jan 29, 2013 12:40 am
drjohncarpenter wrote:Chris Roberts wrote:David Winters was born David Weizer in London, England and moved to the US in 1953. The first time that I saw him was in the 1956 film 'Rock Rock Rock' which also starred Tuesday Weld (Wild In The Country). He also had a big part in 'West Side Story'.
He was the choreographer on 3 Elvis films 'Viva Las Vegas', 'Girl Happy' and 'Tickle Me'.
My favourite Elvis stage moves are from the 1957 Tupelo show. Real cool and natural without a choreographer in sight!!
Winters played "A-rab" in the 1961 film version of "West Side Story," but originated the role of "Baby John" in the earlier Broadway smash.
He would later have an unusual visit with Elvis in February 1974, at the Las Vegas Hilton.
Hope SuspiciousMind is enjoying all of this!
Tue Jan 29, 2013 8:58 am
drjohncarpenter wrote:steevefry wrote:LAS VEGAS AUGUST 1974
Cute, but that ain't the moonwalk move a-tall.
Tue Jan 29, 2013 9:05 am
Chris Roberts wrote:Doc I haven't heard about the visit in February 1974, what happened?
Tue Jan 29, 2013 9:33 am
drjohncarpenter wrote:Wilson's "public" admissions are unknown to me, as well as the absurd suggestion of "a lot of African-American entertainers" studying and taking cues from Presley.
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