KiwiAlan wrote:poormadpeter wrote:"Butterfly was written by Bernie Lowe and Kal Mann...Both Charlie Gracie and Andy Williams had million-sellers with the song in 1957...Elvis sang "Butterfly" in a performance at the Maple Leaf Gardens, Toronto."
Worth & Tamerius: Elvis. His Life From A to Z, 1992 edition, p 363.
The above quote, from hardly the best researched of Elvis books, shows that everything in the initial post was well-known long before the Doc created the topic.
That is very unfair.
The Doc raised a very interesting subject this time and obviously put a lot of time into it, we all have learned something.
While Butterfly was known to many of us...never before has this been covered in such depth.
A very wothwhile thread.
A worthwhile thread, yes. But in the initial post, the Doc quite clearly suggests that his research was something we did not already know - not least by the suggestion that the song was thought to be All Shook Up. This was never the case - how could you mistake All Shook Up (repeated numberous times throughout the song) for Buttercup/fly? It's not like referring to American Trilogy as Glory Glory Hallelujah, is it?
The doc wrote:
"For many years spring 1957 news reports of Elvis singing "Butterfly" in his live show were written off as a mistake. Surely, Elvis wasn't throwing an obscure single by rockabilly Charlie Gracie into his performance? Surely, the media misheard Elvis, who was really singing his new single, "All Shook Up," which ends a key line with the noun "buttercup"?
Well, maybe they didn't. But ... could Elvis have really decided to sing this hit tune? At Presley's Toronto shows four days earlier, he threw in a performance of the recorded-but-not-issued "One Night." RCA would release the classic rocker 18 months later. So, Elvis was obviously in a somewhat loose frame of mind regarding the live show.
And the song itself is a easy, breezy rocker that could be picked up by the band in a heartbeat. Perhaps the clincher to this saga was discovering today that "Butterfly" was firmly in the Hill and Range publishers stable."
He is suggesting that the song was one big mystery until now - which is clearly not the case - and in the same way that the Are You Lonesome Tonight suggests that the Blue Barron influence was new information, despite the fact it can be found in print from nearly a decade ago.
While highlighting such issues and adding info is always welcome - as are the youtube links - I do have problems with the suggestion that some great mystery has been solved (in both the case of this song and AYLT), for that simply is not the situation here.