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[/url][/url]dreambear wrote:Turnstiles is on it´s way!
greystoke wrote:dreambear wrote:Turnstiles is on it´s way!
Great choice. Hope you enjoy.
dreambear wrote:greystoke wrote:dreambear wrote:Turnstiles is on it´s way!
Great choice. Hope you enjoy.
I will!
I buy them in order. It´s fascinating to follow an artists development.
[/url][/url]keninlincs wrote:The Hassles stuff is very good i have the original on vinyl
Mike Eder wrote:keninlincs wrote:The Hassles stuff is very good i have the original on vinyl
It has a real nice edgey sixties feel. Both of their albums are pretty cool.
[/url][/url]Mike Eder wrote:dreambear wrote:greystoke wrote:dreambear wrote:Turnstiles is on it´s way!
Great choice. Hope you enjoy.
I will!
I buy them in order. It´s fascinating to follow an artists development.
Again don't miss out on his pre Piano Man stuff, a lot of it is really cool if unknown generally.
drjohncarpenter wrote:I was never wild about Joel's condescending tone towards the punk movement (Glass Houses, "It's Still Rock & Roll to Me"), and some of his more pretentious efforts ("We Didn't Start the Fire" -- hello, R.E.M.!) but always had a soft spot for singles like "Big Shot." He certainly learned a lot from Paul McCartney.
Robt wrote:I always thought Glass Houses was a classic ...
Robt wrote:... check out "The Entertainer" from the above England 1978 gig.
TJ wrote:drjohncarpenter wrote:I was never wild about Joel's condescending tone towards the punk movement (Glass Houses, "It's Still Rock & Roll to Me"), and some of his more pretentious efforts ("We Didn't Start the Fire" -- hello, R.E.M.!) but always had a soft spot for singles like "Big Shot." He certainly learned a lot from Paul McCartney.
Yes he did. You can really hear McCartney on a track like "Don't Ask Me Why" but some of Joel's more raucous moments also seem to be a nod in that direction.
I've always felt that Joel slips out of his own voice on occasion, when a song arrangement/mood reminds him of another artist. The example above is one, but I also detect some Jagger in "You May Be Right" and even some Neil Diamond in "All About Soul".
drjohncarpenter wrote:I was never wild about Joel's condescending tone towards the punk movement (Glass Houses, "It's Still Rock & Roll to Me"), and some of his more pretentious efforts ("We Didn't Start the Fire" -- hello, R.E.M.!) but always had a soft spot for singles like "Big Shot." He certainly learned a lot from Paul McCartney.
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