Now and Then's eventful journey to fruition took place over five decades and is the product of conversations and collaborations between the four Beatles that go on to this day. The long mythologised John Lennon demo was first worked on in February 1995 by Paul, George and Ringo as part of The Beatles Anthology project but it remained unfinished, partly because of the impossible technological challenges involved in working with the vocal John had recorded on tape in the 1970s. For years it looked like the song could never be completed. But in 2022 there was a stroke of serendipity. A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part.
As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles. This remarkable story of musical archaeology reflects The Beatles’ endless creative curiosity and shared fascination with technology. It marks the completion of the last recording that John, Paul and George and Ringo will get to make together and celebrates the legacy of the foremost and most influential band in popular music history.
Now And Then – The Last Beatles Song (Short Film Trailer) & Peter Jackson tells how he made the last music video
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Walter Hale 4
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Now And Then – The Last Beatles Song (Short Film Trailer) & Peter Jackson tells how he made the last music video
Last edited by Walter Hale 4 on Wed Nov 01, 2023 1:56 pm, edited 1 time in total.
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Walter Hale 4
Topic author - Posts: 17552
- Registered for: 18 years 1 month
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Re: Now And Then – The Last Beatles Song (Short Film Trailer)
Andrew/ aka Parlogram has been looking at the history , a long and winding road if you like, behind the soon to be release of Now & Then Beatles 'final' record.
Good one Andrew
Now & Then | The Full Story Behind The Beatles' Final Single...
28 years since Paul, George and Ringo went into the studio to finish off John's 1979 demo, Now and Then will finally be released on November 2nd 2023. In this video we look at how John's demo was recorded and how it caused issues for the tam in 1995 and why George Harrison gave up on it.
We also look at contemporary reaction in the press about its absence from Anthology 3 and discuss if Now and Then will be better received than Free As A Bird.
Good one Andrew
Now & Then | The Full Story Behind The Beatles' Final Single...
28 years since Paul, George and Ringo went into the studio to finish off John's 1979 demo, Now and Then will finally be released on November 2nd 2023. In this video we look at how John's demo was recorded and how it caused issues for the tam in 1995 and why George Harrison gave up on it.
We also look at contemporary reaction in the press about its absence from Anthology 3 and discuss if Now and Then will be better received than Free As A Bird.
-
Walter Hale 4
Topic author - Posts: 17552
- Registered for: 18 years 1 month
- Has thanked: 4839 times
- Been thanked: 3674 times
Re: Now And Then – The Last Beatles Song (Short Film Trailer) & Peter Jackson tells how he made the last music video
The Beatles' last music video
Exclusive: film director Peter Jackson tells us how he made The Beatles' last music video...
Peter Jackson, 22 hours ago
When Apple asked me to make the music video for The Beatles' last single, I was very reluctant. I thought my next few months would be a hell of a lot more fun if that tricky task was somebody else’s problem, and I could be like any other Beatles fan, enjoying the night-before-Christmas anticipation as the release of a new Beatles song and music video approached – in 1995, l loved the childlike excitement I felt as the release of Free As A Bird was inching closer.
I could have that experience once again – all I had to do was say no to The Beatles.
To be honest, just thinking about the responsibility of having to make a music video worthy of the last song The Beatles will ever release produced a collection of anxieties almost too overwhelming to deal with. My lifelong love of The Beatles collided into a wall of sheer terror at the thought of letting everyone down. This created intense insecurity in me, because I’d never made a music video before, and was not able to imagine how I could even begin to create one for a band that broke up over 50 years ago, had never actually performed the song, and had half of its members no longer with us.
It was going to be far easier to do a runner.
I just needed a little time to figure out a good reason for turning The Beatles down – so I never actually agreed to make the music video for Now And Then (in fact I still haven’t to this day).
I told Apple how the lack of suitable footage worried me. We’d need to use a lot of rare and unseen film, but there’s very little. Nothing at all seemed to exist showing Paul, George and Ringo working on Now And Then in 1995 when the three surviving Beatles decided to try to see what they could do with the tape recorded by John, and given to Paul by Yoko Ono after his death.
There’s not much footage of John in the mid-Seventies, when he wrote the demo. I grizzled about the lack of unseen Beatles footage from the Sixties, and they didn’t even shoot any footage showing Paul and Ringo working on the song last year.
A Beatles music video must have great Beatles footage at its core. There’s no way actors or CGI Beatles should be used. Every shot of The Beatles needed to be genuine. By now I really had no idea how anyone could make a Now And Then music video if they didn’t have decent footage to work with, and this was far from being a lame excuse. My fear and insecurity now had solid reasons why they should prevail and allow me to say no without looking too much like a chicken.
I knew The Beatles don’t take no for an answer if their minds are set on something – but they didn’t even wait for me to say no. I found myself swept along as they quickly addressed my concerns. Paul and Ringo shot footage of themselves performing and sent that to me. Apple unearthed over 14 hours of long-forgotten film, shot during the 1995 recording sessions, including several hours of Paul, George and Ringo working on Now And Then, and gave all that to me.
Sean [Lennon] and Olivia [Harrison] found some great unseen home movie footage and sent that. To cap things off, a few precious seconds of The Beatles performing in their leather suits, the earliest known film of The Beatles and never seen before, was kindly supplied by Pete Best.
Watching this footage completely changed the situation – I could see how a music video could be made. Actually, I found it far easier if I thought of it as making a short movie, so that’s what I did. My lack of confidence with music videos didn’t matter anymore if I wasn’t making one.
Even so, I still had no solid vision for what this short film should be – so I turned to the song for guidance.
After we had separated John’s voice on the demo tape over a year ago, Giles Martin, at Abbey Road Studios had produced an early mix of Now And Then. This had been sent to me back in 2022. I loved it. Since then I must have listened to Now And Then over 50 times, purely for pleasure.
Now I started listening to it intently for different reasons. I was hoping that ideas or inspiration for the short film would somehow float up from the music. And that began to happen. As I kept listening, it felt like the song was creating ideas and images that started forming in my head – without any conscious effort from me.
I teamed up with Jabez Olssen, my Get Back editor, to try and figure ways the new film footage could be used to support these wispy ideas. It was a very organic process, and we slowly started build little fragments, sliding pictures and music around in different ways until things began to click in.
We wanted the short film to bring a few tears to the eye, but generating emotion using only archive footage is a tricky thing. Fortunately, the simple power of this beautiful song did a lot of the work for us, and we finished the first 30 or 40 seconds of the film fairly quickly.
Having done that, we jumped straight to the ending, and tried to craft something that could adequately sum up the enormity of The Beatles’ legacy – in the last few seconds of their final recording. This proved to be impossible. Their contribution to the world is too immense, and their wondrous gift of music has become part of our DNA and now defies description.
I realised we needed the imagination of every viewer to do what we couldn’t, and have each viewer create their own personal moment of farewell to The Beatles – but we had to gently steer everyone to that place. I had some vague ideas, but didn’t really know how to achieve this.
Fortunately, Dhani Harrison, George's son, happened to be visiting New Zealand, where I live, at this time. I discussed the ending with him, and described one vague idea I’d been toying with. His eyes immediately filled with tears – so that is the way we went.
Jabez and I now began thinking about the middle section. We could actually watch the beginning and end now, and quickly realised our initial plan of having similar emotional power continue through this middle section would be completely wrong. That was not who The Beatles were. At their core they were irreverent and funny, and the middle section should capture that spirit. We needed to laugh at The Beatles, and laugh with them. They were always sending themselves up – and the more seriously other people took them, the more they would clown around.
Luckily we found a collection of unseen outtakes in the vault, where The Beatles are relaxed, funny and rather candid. These become the spine of our middle section, and we wove the humour into some footage shot in 2023. The result is pretty nutty and provided the video with much needed balance between the sad and the funny.
After WētāFX, the visual effects studio I founded, completed a few simple but tricky VFX shots, it was finally finished.
To be honest, while we hope we’ve given The Beatles a suitable final farewell, that’s something you’ll need to decide for yourselves when it’s finally released – only a few days from now.
Having got to the end, I’m very happy I’m not waiting for the release of somebody else’s Now And Then music video. I have genuine pride in what we made, and I’ll cherish that for years to come. A huge thanks to Apple Corps and the Fabs for giving me all the support I needed – and not allowing me to wriggle away.
The Now and Then music video will premiere worldwide this Friday, 3rd November at 2pm GMT / 10am EDT / 7am PDT on The Beatles’ YouTube channel. Now and Then is unveiled on November 2 at 2pm, followed by a full release on November 3. Pre-order/pre-save Now And Then/Love Me Do double A-side single here. The Beatles’ 1962-1966 (The Red Album) and 1967-1970 (The Blue Album) Collections expanded, mixed in stereo & Dolby Atmos for 2023 edition is released on November 10. Pre-order here.
https://www.standard.co.uk/culture/music/peter-jackson-beatles-music-video-how-i-made-b1116917.html
Exclusive: film director Peter Jackson tells us how he made The Beatles' last music video...
Peter Jackson, 22 hours ago
When Apple asked me to make the music video for The Beatles' last single, I was very reluctant. I thought my next few months would be a hell of a lot more fun if that tricky task was somebody else’s problem, and I could be like any other Beatles fan, enjoying the night-before-Christmas anticipation as the release of a new Beatles song and music video approached – in 1995, l loved the childlike excitement I felt as the release of Free As A Bird was inching closer.
I could have that experience once again – all I had to do was say no to The Beatles.
To be honest, just thinking about the responsibility of having to make a music video worthy of the last song The Beatles will ever release produced a collection of anxieties almost too overwhelming to deal with. My lifelong love of The Beatles collided into a wall of sheer terror at the thought of letting everyone down. This created intense insecurity in me, because I’d never made a music video before, and was not able to imagine how I could even begin to create one for a band that broke up over 50 years ago, had never actually performed the song, and had half of its members no longer with us.
It was going to be far easier to do a runner.
I just needed a little time to figure out a good reason for turning The Beatles down – so I never actually agreed to make the music video for Now And Then (in fact I still haven’t to this day).
I told Apple how the lack of suitable footage worried me. We’d need to use a lot of rare and unseen film, but there’s very little. Nothing at all seemed to exist showing Paul, George and Ringo working on Now And Then in 1995 when the three surviving Beatles decided to try to see what they could do with the tape recorded by John, and given to Paul by Yoko Ono after his death.
There’s not much footage of John in the mid-Seventies, when he wrote the demo. I grizzled about the lack of unseen Beatles footage from the Sixties, and they didn’t even shoot any footage showing Paul and Ringo working on the song last year.
A Beatles music video must have great Beatles footage at its core. There’s no way actors or CGI Beatles should be used. Every shot of The Beatles needed to be genuine. By now I really had no idea how anyone could make a Now And Then music video if they didn’t have decent footage to work with, and this was far from being a lame excuse. My fear and insecurity now had solid reasons why they should prevail and allow me to say no without looking too much like a chicken.
I knew The Beatles don’t take no for an answer if their minds are set on something – but they didn’t even wait for me to say no. I found myself swept along as they quickly addressed my concerns. Paul and Ringo shot footage of themselves performing and sent that to me. Apple unearthed over 14 hours of long-forgotten film, shot during the 1995 recording sessions, including several hours of Paul, George and Ringo working on Now And Then, and gave all that to me.
Sean [Lennon] and Olivia [Harrison] found some great unseen home movie footage and sent that. To cap things off, a few precious seconds of The Beatles performing in their leather suits, the earliest known film of The Beatles and never seen before, was kindly supplied by Pete Best.
Watching this footage completely changed the situation – I could see how a music video could be made. Actually, I found it far easier if I thought of it as making a short movie, so that’s what I did. My lack of confidence with music videos didn’t matter anymore if I wasn’t making one.
Even so, I still had no solid vision for what this short film should be – so I turned to the song for guidance.
After we had separated John’s voice on the demo tape over a year ago, Giles Martin, at Abbey Road Studios had produced an early mix of Now And Then. This had been sent to me back in 2022. I loved it. Since then I must have listened to Now And Then over 50 times, purely for pleasure.
Now I started listening to it intently for different reasons. I was hoping that ideas or inspiration for the short film would somehow float up from the music. And that began to happen. As I kept listening, it felt like the song was creating ideas and images that started forming in my head – without any conscious effort from me.
I teamed up with Jabez Olssen, my Get Back editor, to try and figure ways the new film footage could be used to support these wispy ideas. It was a very organic process, and we slowly started build little fragments, sliding pictures and music around in different ways until things began to click in.
We wanted the short film to bring a few tears to the eye, but generating emotion using only archive footage is a tricky thing. Fortunately, the simple power of this beautiful song did a lot of the work for us, and we finished the first 30 or 40 seconds of the film fairly quickly.
Having done that, we jumped straight to the ending, and tried to craft something that could adequately sum up the enormity of The Beatles’ legacy – in the last few seconds of their final recording. This proved to be impossible. Their contribution to the world is too immense, and their wondrous gift of music has become part of our DNA and now defies description.
I realised we needed the imagination of every viewer to do what we couldn’t, and have each viewer create their own personal moment of farewell to The Beatles – but we had to gently steer everyone to that place. I had some vague ideas, but didn’t really know how to achieve this.
Fortunately, Dhani Harrison, George's son, happened to be visiting New Zealand, where I live, at this time. I discussed the ending with him, and described one vague idea I’d been toying with. His eyes immediately filled with tears – so that is the way we went.
Jabez and I now began thinking about the middle section. We could actually watch the beginning and end now, and quickly realised our initial plan of having similar emotional power continue through this middle section would be completely wrong. That was not who The Beatles were. At their core they were irreverent and funny, and the middle section should capture that spirit. We needed to laugh at The Beatles, and laugh with them. They were always sending themselves up – and the more seriously other people took them, the more they would clown around.
Luckily we found a collection of unseen outtakes in the vault, where The Beatles are relaxed, funny and rather candid. These become the spine of our middle section, and we wove the humour into some footage shot in 2023. The result is pretty nutty and provided the video with much needed balance between the sad and the funny.
After WētāFX, the visual effects studio I founded, completed a few simple but tricky VFX shots, it was finally finished.
To be honest, while we hope we’ve given The Beatles a suitable final farewell, that’s something you’ll need to decide for yourselves when it’s finally released – only a few days from now.
Having got to the end, I’m very happy I’m not waiting for the release of somebody else’s Now And Then music video. I have genuine pride in what we made, and I’ll cherish that for years to come. A huge thanks to Apple Corps and the Fabs for giving me all the support I needed – and not allowing me to wriggle away.
The Now and Then music video will premiere worldwide this Friday, 3rd November at 2pm GMT / 10am EDT / 7am PDT on The Beatles’ YouTube channel. Now and Then is unveiled on November 2 at 2pm, followed by a full release on November 3. Pre-order/pre-save Now And Then/Love Me Do double A-side single here. The Beatles’ 1962-1966 (The Red Album) and 1967-1970 (The Blue Album) Collections expanded, mixed in stereo & Dolby Atmos for 2023 edition is released on November 10. Pre-order here.
https://www.standard.co.uk/culture/music/peter-jackson-beatles-music-video-how-i-made-b1116917.html