See what I mean Greg, No this is Petty stuff!!! I am game.
From VinylJunkie! in paranthesis()
"Sacrifice Dynamic range? KIWIALAN maybe you should polish up a little on your knowledge. How is it going to lose when a sampling rate is higher! The truth is that range hasn't got much to do with it. It has to do with a closer likeness to the original sound curve. If it sounds "tighter" it is because more of the orginal sound is represented. "
(The samplingrate and resolution is 16bit/44.1kHz for the new DSD CD's and the old CD's. You are wrong. )
This is obviously a misrepresentation of my quote and his answer shows it. I paraphrased what I believe all along. True the curve is down sampled from a sampling rate that is 64 times more accurate then the Red Book cd.
"Lets just say this. Do I think a 16 bit using DSD technology(over 100khz) is superior to 16 bit of a 44.1khz of a pcm transfer. You bet. Now on to other things. I am quite disgusted by my answer being erased and I hate typing. It wouldn't make a difference anyway. I am actually retyping what I have argued in the past. "
(you are mixing the cards just to make people believe you. But what is 16bit/100kHz? DSD is really a 1 bit solution. Your DSD master before CDDA transfer is not 16bit/100kHz. You are wrong again. )
Again I am paraphrasing. Same as example 1
(HDCD (20/44.1) has a higher resolution than CDDA (16/44.1). A DSD transfer to CDDA has a lower resolution than HDCD from a DSD. You are wrong, or tries to twist the truth around)
I am twisting the truth. First of all you are not even comparing the same thing. HDCD is raising the bit lenght based on a inferior sampling rate. The gain is a signal to noise ratio which Vinylman actually argued against!!! The difference between -96 to -144db So it comes down to HDCD has more bit reading of a inferior represented sound curve.
"Please don't give me this crap that the Dynamic Range is lowered. Downsampling to 16 bit only loses part of the original info. The PCM transfer is the "limited" part on HCCD."
(Dynamic range is lowered when you shorten the lenght of the dataword. You are wrong when saying the opposite)
I paraphrased as well. Going back to first 2 examples. Though it is misleading to say that dynamic range is lowered for DSD and CDDA doesn't. That is like saying that MUHAMMED ALI got slower as a boxer so I myself should be the better boxer.
(you are mixing the cards just to make people believe you. But what is 16bit/100kHz? DSD is really a 1 bit solution. Your DSD master before CDDA transfer is not 16bit/100kHz. You are wrong again. )
Do we see something familiar. If he thought I was wrong, why did he have to point this out. Any fool would either A. believe I am wrong and leave it at that. B. Understand I was trying to write my idea quicker. I will state again YES IT IS 16 bit(44.1khz) of a 100khz representation.
(Again you are telling us about this format, what is it actually. Without resampling you cannot transfer it to CD-DA, that is for sure.)
Yeah and again resampling in my opinion is superior.
(You cannot prove your points, you said it yourself. I have proven mine using objective arguments heavily documented by math and the Nyquist theorem. The DSD will not sound any better on a CD than a CD taken directly from the analogue source. )
When did I say I cannot prove my point. More words in my mouth. You didn't disprove my point (which I will get to later...again!).
"Analog has never been captured the way it should be till now right? "
(Wrong, the correct statement should be that CDDA has limitations compared to a high resolution analogue source. The PCM is certainly capable of represent an analogue waveform. It's just a matter of increasing the samplerate and the lenght of the dataword. DSD has not given us anything new that hasn't been possible earlier.)
No my statement is more true. PCM is a lower resolution case closed! Now whether we can hear it is another story.
(You are wrong, it doesn't matter when you sample. A reproduction wil theoretically be the same regardless of when you start to sample a curve. That is taken care of as all curves are represnted by sinusoidalcurves and those have a strict mathematical waveform. That's the fundamentals for the whole theory. IT DOESN'T MATTER WHEN YOU SAMPLE. Your drawings are worthless as you do not filter your curves before sampling on your paper. Do that and we can talk about your results. )
First of all yes it does matter where you sample as I will talk about later. 2nd your filter arguement falls flat when considering the paremeters within the soundcurve that can be read by a red book cd.
My drawings are worthless...now that hurts! Funny how I haven't posted one and you are already criticizing them!
"Why not put the scope way beyond what a human can hear? People can adapt, and a trained ear I believe can POSSIBLY adapt as well. IF one person can hear a difference, then that should be the standard. I feel the same way with video!! "
(Why? It is still 16/44.1 we are talking about. Your DSD Elvis CD is 16/44.1 and has no subsonics on it. )
You are confused here, I was actually replying to someone else. I was saying the master should be transferred the best way possible. I never said there was "subsonics" on the ELVIS cd or anyother "hidden" messages. lol
"Using logic I "proved" DSD technology can improve the representation on a dowsampled red book cd. "
(The only thing you have proven is that you do not know the steps from an analogue source to CD-DA. Your proofs are full of fundamental errors and as of that cannot be used as a proof. )
Um no my ideas are solid even if I caught up in symantics.
(This answer shows that you have no knowledge of fundamental digitalization of waveforms and even less knowledge of analogue waveforms. When you guess that a CD-DA can reproduce a square wave (8kHz) or saw-tooth wave (8kHz) you show that you have no idea of what you are talking about. A CD-DA cannot reproduce a 8kHz square wave at all. Why don't you try this on paper and prove to yourself that you are terribly wrong. )
I didn't understand the question and I still don't know what you are talking about. True I don't know everything about Analogue wave forms. Never claimed I did. so shoot me. It was a guess, and I admited it freely.
(You where the only one that could not solve the question. Wasn't that fun? Or was it not what you had expected? )
I really, who answered again. Oh yeah Vinyl man guessed and I agreed. hmmm
"Ahh I figured it out. It is a high frequency range you speak of. 8khz is for phone lines right?
So exactly what I was speaking of before. THIS HAS NOTHING TO DO WITH MY ARGUEMENT. Go back to the IT HURTS ME post and read clearly. THis has nothing to do with high frequency range. My arguement is the same range as a red book cd. USE YOUR HEAD AND THINK ABOUT WHAT I SAID. Doesn't mater how high or fast. God didn't you ever take a math course?"
(Again you showed your lack of knowledge. What a stupid comment. Saying that a 8kHz squarewave has nothing to do with the high frequency range while speaking of audiable sound just shows that it is you who hasn't studied math, not me. By the way I have university degree in electrical engineering and digitalization of curveforms was an important part of the studies. Maybe this makes you a bit more humble when putting others down as of their, by you, assumed social background. )
MY ARGUEMENT HAS NOTHING TO DO WITH HIGH FREQUENCY RANGE!!!!! You completely misunderstood this. I never said 8khz had nothing to do with a high frequency range. Actually I guessed it in the first sentence. I will say agian The High Frequency range has NOTHING TO DO WITH MY ARGUEMENT!!
Hey man I am proud of you. You are very well educated in digitalization...Now how about a little human contact or composition for your next subject to polish up on.
(It doesn't help to draw when you do not how to draw correctly! You have your own theories about how it is working. But when you draw you have to draw like the sampler does, not as your brain would have done it. )
Reference to drawings you have never seen.
(It doesn't matter where you sample as long as you have defined what you want to sample. )
This is not true!
You know what I am DONE..life is too short. You guys see my point. I hope you do greg as well. The pettyness of this whole thing is CHILDISH. Attacking every one of my post is rediculous.
My only arguement was this:
If you take more samples of a particular sound curve the when downsampled it CAN be superior to a sound curve that is just sampled in a inferior way. How?
Well it comes down to each bit representation. As long as the sequence starts before or after a bit(If its the same, then they are identical), then every bit representation is more accurate. This is especially true for ranges within the parameter of the RED BOOK CD. It comes down to points on a graph. I don't know how else to say this. I am sure the board is getting tired of this crap.
Last edited by genesim on Thu May 22, 2003 6:04 pm, edited 1 time in total.