Fri May 25, 2007 7:15 am
My understanding is that Felton Jarvis did not maintain a uniform mix pattern for the 12 shows recorded by RCA between August 21 and August 26, 1969. It has nothing to do with your perspective -- or mine -- regarding Ernst and Roger's work for FTD or BMG, it is a matter of fact. Thus, my recommendation that fans take this into consideration when revisiting these shows, and their release on various official discs
Fri May 25, 2007 7:17 am
drjohncarpenter wrote:midnightx wrote:It is a bit of stretch to suggest that Jarvis would have mixed out the keyboards from the mix of one of the 1969 shows considering it was a major component of Elvis' live sound at that point.
My understanding is that Felton Jarvis did not maintain a uniform mix pattern for the 12 shows recorded by RCA between August 21 and August 26, 1969. It has nothing to do with your perspective -- or mine -- regarding Ernst and Roger's work for FTD or BMG, it is a matter of fact. Thus, my recommendation that fans take this into consideration when revisiting these shows, and their release on various official discs.
Fri May 25, 2007 7:31 am
GERRY wrote:... i did not believe that Felton would ever leave out the piano on such a recording , no way.
GERRY wrote:Tomorrow i will post some samples from the 1969 shows i recieved from my dear friend Rick Rennie.
Fri May 25, 2007 11:19 am
Fri May 25, 2007 11:23 am
Mike S wrote:Not too impressive for someone so eager to criticise in order to push his own misplaced agenda.
Fri May 25, 2007 1:00 pm
oops!!
Fri May 25, 2007 1:02 pm
Mike S wrote:Sam: The point is that if specific, relevant questions are asked, then they should be properly addressed to maintain the strength of any argument.
Sam wrote:oops!!
You are forgiven--luckily I have a sense of humour!
Fri May 25, 2007 1:10 pm
sam wrote:Mike S wrote:Sam: The point is that if specific, relevant questions are asked, then they should be properly addressed to maintain the strength of any argument.
Sam wrote:oops!!
You are forgiven--luckily I have a sense of humour!
But Mike I wasn't meaning you!!!!![]()
Fri May 25, 2007 2:37 pm
Ah, no. If you knew anything about the Beatles, you'd be aware that nothing is issued without the approval of Paul, Ringo, Yoko and Olivia
Since when have Kevan Budd and Sebastian Jeanssen -- whose superb audio restoration work for FTD has been universally praised -- been known as "cowboys"? Neither hail from Texas
Because your obsession with Ernst Jørgensen borders on the psychotic? Oh, I think everyone on the forum is quite aware
Read this slowly: You - will - NEVER - have - Ernst's - job
Get a life, "GERRY."Others will also remember that several pertinent questions were ducked and proved equally unanswerable
Best CD' thread
Fri May 25, 2007 6:05 pm
Others will also remember that several pertinent questions were ducked and proved equally unanswerable
Several?
unanswerable?
I have not answered Matthew regarding Kevan Budd simply because i have no problem with his work , whatsmore neverer have i said anything about Kevan Budds work
I have prior appointment- back later.
Fri May 25, 2007 11:07 pm
Sat May 26, 2007 12:02 am
So FTD whingers
Sat May 26, 2007 2:05 am
GERRY wrote:TBH this board is pathetic , a lot of you pander to the Doc like the little lapdogs that you are , jumping in having a quick snap and a little snarl at me in the hope that it will Earn you a few Brownie Points from your master.
You show zero respect to David Bendeth when he visits here , we have the doc immediately scrambling into action trying to look good ,for he cannot afford to look bad in front of David Bendeth , has to maintane this false-facade in front of his little litter of lapdogs, they have to see that their master this self styled Elvis Scholar and Ernst worshipper commands respect even from the likes of a worldwide famed producer!
Sat May 26, 2007 3:27 am
GERRY wrote:Somwhere we got our wires crossed as i never once claimed that i had any 1969 multitrack imports i was talking about my imports and their steady mix consistancy in relation to their masters.
GERRY wrote:drjohncarpenter wrote:My understanding of August 1969 mix anomalies is that the choices of instruments in the sound picture were made on the spot by Felton Jarvis, and these decisions changed from show to show. An engineer can only make do with what is on the existing tapes
Guess you dont own any boots then? Because the majority of the boots i own do not have these as you put it "mix anomalies" even the few that have incomplete recordings without the later overdubbs still retain a strong base of sonic consistancy.
GERRY wrote:i replied to the doc without realising that he was only talking about Larry Mohaberic and in one specific show namely the 8th Aug 1969.
Anyway Without further ado here is the PROOF
Aug 8th 1969 and Larry Mohaberic as on Collectors Gold And disc 3 EAP Boxset Larry Mohaberic is playing piano on these tracks
http://d01.megashares.com/?d01=2bff26e
D/L it's only 300kb.
And finally here is PROOF that Larry is Missing from the same recording on different release namely Live In Las Vegas Boxset:-
http://d01.megashares.com/?d01=cfba197
D/L it's only 347kb.
Now Matthew there is your proof that my persistant claims regarding Ernst are true,but i allready knew this to be true.
Sat May 26, 2007 3:37 am
Robt wrote:Hey PEP,
it may be worthwhile for you to lock this thread ASAP..
Sat May 26, 2007 4:08 am
After going through the rough mix tape..the ambience heavy was at the primary recording process! sheet...come to think of it..imagine FTD going out of their way to "enhance" sound?!! Not me. Thats live echo whether you or one likes it or not and THUS I conclude (lol) that it is a true, well represented document of Memphis 74.Matthew wrote:Juan Luis wrote:I was not there when someone mixed this show for FTD...BUT 2 microphones were at the venue all the way back to capture applause AMBIENCE etc...If that had been mixed way up THEN it would have same effect as added echo.....BTW can anyone tell the difference between natural reverb,ambience etc from FAKE?I doubt it..plus the fact that Elvis' mic had local sound treatment etc....Even at outdoor events reverb etc. is added to singers voice...you may have noticed at least oncewhen someone on TV sounds really crappy...its because the audio person used the wrong UNTREATED feed...anyways a live recording that is echoless sounds like really really poor or bad..and it isn't natural as well!Matthew wrote:Juan Luis wrote:And was it added reverb or oneof the ambience tracks that was on 16 track? Even if thats true maybe a little overdone..but as rob said first awhile back..it brought to him the deja vou of concert experience as well as it did to me...not in those words.
Ambience tracks?
I understand what you're saying but I just have a sneaking suspicion that the sheer level of reverb on the FTD is not natural but added after the effect. I don't quite know how to describe it other than it doesn't sound like a recording of reverb but rather a recording played through a reverb effect. I can of course be wrong.
Sat May 26, 2007 5:18 am
GERRY wrote:PEP Was quick to lock the other sgt Pepper thread with the mock cover that belonged on a Beatles MBoard just so he could let his fellow Beatles nut have the last word , this one he leaves open in the hope that i will be brought to heel.
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