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Love Me Tender SE DVD

Mon Feb 27, 2006 2:31 am

For the first time an Elvis Presley film has been given the special edition treatment on DVD with Fox's re-release 50th anniversary edition of Elvis' first movie "Love Me Tender". The results are not quite everything they could be but more than worth an upgrade for devotees of Elvis and properly respectful of this important work and cultural icon.

The minute you pick up the DVD this has the previous edition beat as the film comes in a nice protective box around the clam shell DVD case. The box and case feature a colorized picture of Elvis dancing at the school raising scene from the movie. The previous case had a picture from "Flaming Star". Right away you can see the improvement in consideration.

Inside there's a insert type mini booklet that lists the scene breaks but also provides some sepia pictures from the movie as well as brief history. There is a small envelope with four recreated b/w movie lobby cards.

The DVD itself also offers significant improvement. The picture is about the same as the previous release but that was a very beautiful print in anamorphic widescreen marred only by some minor specs late in Elvis' part in the train break scene. Contrary to speculation, there is only a b/w print and no colorized version. That would have been a nice bonus but unnecessary. The sound though is a considerable improvement. You can hear every scrap of distant dialogue and every tap of a horse's shoe.

As bonuses the DVD features three featurettes coming in between about nine and 15 minutes apiece. These deal with the origin of the film, the history of the song "Love Me Tender" and Elvis' relationship with Tom Parker. These are certainly an upgrade over the previous releases but in many ways a missed opportunity.

Elvis historians are interviewed like Alanna Nash, Steve Tamerius, and Steve Pond (who provided the text for a picture book on the movie in the late 1980s) as well as associates like Scotty Moore and Jerry Schilling and sundry pop culture experts like the current music editor of "Rolling Stone". The results are a mixed bag.

There are some great bits of trivia. We find out that's Dick Sargent- Darrin #2 on "Bewitched"- who tells Richard Egan on the roadside that the war is over. We also find out that "Stay Away Joe" and "Flaming Star" co-star LQ Jones has a small role in the movie as one of the soldiers who side with Neville Brand.

There is an odd bit of spot on analysis as well with the RS critic pointing out that boundaries that LMT broke as a song and noting that the song has become a fact of life almost beyond criticism. Alanna Nash's insights on the Colonel are also fascinating if not always 100 percent accurate. And there is also some nice insight all around on what a challenge this movie was for Elvis. It's easy to forget in 2006 but in 1956 this was the first time that Elvis ever acted, ever visited a movie set.

Still there's not nearly enough about the production of the movie. There isn't anything about the lost verses of "Love Me Tender" etc. There are also NO current or vintage interviews with any of the cast and crew of LMT.

Worse there is lame backing music on some of the bits and even lamer re-enactments. For instance if Nash is talking about Elvis signing a contract, they show a hand writing on a piece of paper. Most ridiculously they show Elvis and the Colonel arguing in silhouette. The actor playing Elvis has a mountain of hair and bounces his head up and down to indicate the argument and is quite unintentionally hilarious.

I'm glad this stuff was there but I wish more discipline and in-depth scholarship went into it.

There is also a photo gallery and it is quite extensive. There may be more than 100 photos of Elvis and his co-stars many predictable but just as many rare. There are even reproductions of correspondence between RCA and Parker.

There are also the obligatory trailers and trailers for "Flaming Star" and "Wild in the Country". WITC, if you don't have the trailer, is of huge interest to fans as it features Elvis singing a few seconds of "Lonely Man" a song cut from the film.

Best of all the special features is Jerry Schilling's audio commentary. While Schilling is not my first choice for an audio commentary on this movie since he was back in Memphis when it was being made, he provides a fascinating audio track. A bit slow at times, Schilling provides little insight into the making of the film or its stars but lots of insight into Elvis himself and Elvis' film career. It's like finding a new text. It's very thoughtful. Though Schilling white washes some of Elvis' womanizing in relation to his movie co-stars, he does a present a complex warts and all but sympathetic presentation of Elvis and Parker.

He is very insightful into the balance a popular artist has to find between commercial success and artistic achievement and how Elvis was torn by that. He also successfully characterizes the difficulties that Elvis had in paving the way for a new type of star.

For me this anecdote would cause some fans to rethink some long held positions. "I was there when Elvis turned down a script. He said 'I don't want to do this' and they said 'You won't get to work again' This is not hearsay."

Schilling gives Parker his due in creating the Elvis phenomenon but doesn't blink from the fact that in disputes with outside entities he sided with them not Elvis. To me, he gives Parker a little too much slack in an area like this but it fits in with the three-dimensional real life portrait he wants to give.

He also creates a lot of context not only for Elvis' time but also connecting Elvis to figures in our time.

One of the most interesting bits in defining Elvis that Schilling hits on is the similarity between the body mannerisms of Vernon and Elvis Presley. Elvis apparently took a lot of his personal style from his dad. You can tell in Schilling's recollection that Elvis' parents were real people in his life.

There are pure fun anecdotes as well including Elvis hanging with Nat King Cole at a Hollywood Party. I won't give everything away so as to let you discover some of this stuff for yourself.

Schilling is respectful enough of Elvis and his fans that he never comments while Elvis is singing. It's worth the price of admission alone.

Does the movie deserve this kind of treatment? I say yes because of Elvis' importance as a cultural pioneer and because this was his first movie and a crucial part of that phenomenon.

As a movie in 2006 I expect it plays close to the same it played in 1956: Not Bad. It's not terribly good but it is certainly interesting and not an embarrassment.

There are of course period flaws like the fact that several of the Rebel fighters including two of three older Reno boys have northern accents. For a '50s movie though there's less of this than you would think. There's also the fact that the thrust of the train robbery story and many of the action scenes are cliche'd.

Still, it's not a bad little screenplay brougt to life with some competent albeit unspectacular direction. Some of the dialogue captures some of the Post War resentment of the Union in the South quite nicely. The sense of bitterness that went along with defeat including the scene where Egan marvels at the savagery of war that his father could have been killed by soldiers at his home.

There is also the fascinating family dynamic where the Egan character is the sun and the Elvis character is an inconvenient after thought. The dynamic between Elvis, Egan and Paget is good and they have chemistry. The love that Egan and Elvis' character have for each other gives Egan' s character a nobility he wouldn't otherwise possess although in some ways it's a cliche.

There's also a good supply of character actors like professional villain Neville Brand and professional mother Mildred Dunnock (you might remember her as the invalid in the wheel chair that Richard Widmark kicked down the stairs in "Kiss of Death.") to fill in the spots the screenplay misses. In terms of characterizations since there are so many characters in such a story it misses lot. Some characters exist solely to finish another character's sentences.

The story is familiar to nearly all Elvis fans by now. Richard Egan and his band of cohorts including two of his brothers rob a federal train for the army after the Civil War has ended. They don't know the war's over at the time but when they find out they figure they're entitled to the money as the spoils of war. Egan plans to take the money and go home and marry his sweetheart.

Unfortunately for Egan, he finds out when he gets home that his family think he's dead and his youngest brother Clint (Elvis), who did not go off to war, married her. (This is a very realistic touch as stuff like this happened in times of tragedy in those days.)

When Vance (Egan) and the brothers get pinched by some federal men for the job they make a deal to give back the money. Brand balks at this plan and convinces Elvis that Egan plans to run off with Paget. This is a double hurt for Elvis who worships Egan.

Elvis gets so worked up that Brand convinces him to shoot Egan. Immediately he feels remorse and shoots at Brand who tries to steal the money from Egan (although he has already given it back). Brand shoots Elvis dead. We move to Elvis' funeral and a ghostly apparition appears singing "Love Me Tender" giving us the indication that Elvis is in heaven and gives Paget and Egan his approval.

One thing that's surprising watching the movie today is that Elvis was only one movie in and he was already playing a Christ role complete with resurrection. The movie can be seen as a religious allegory with Elvis the essence of pure innocence being corrupted by the sins of others- the lust of Paget and Egan, Egan's envy of the Presley's marriage, the greed of the soldiers and Brand, the anger of Brand. He winds up literally dying for their sins. To keep this all from being too blasphemous, Elvis' Clint unlike Christ is actually corrupted albeit temporarily.

All that aside what makes the film interesting today is Elvis' presence and I don't mean that from a strictly historical sense. As a performer Elvis brings life to this piece. Schilling points out in the commentary that Elvis gives a method performance in the film and I think he's right.

One of the things that makes the piece interesting 50 years away is the clash between acting styles. Egan is all solid professionalism and is in many ways boring. He matters to us because he matters to Elvis' character who is all uncontrolled raw nerve.

Quite honestly Elvis overacts in some of his scenes especially early on and his timing and delivery are some times off. (I should note that Elvis is far outdone in the overacting department by Paget who heaves her breast constantly in the hopes of stimulating adolescent male sexual activity. She's a seething woman.) There is however an eager to please quality about the performance that is not only endearing but fits the character. There is also an actor's deterimination at work here. Look at the way Elvis stays in character all through the scene where he's brothers are being cross-examined at the school house even though he has no lines. Not bad stuff for an amateur in his first performance.

Even more Elvis grows into the performance as the film goes on and eventually through his ornate display of emotion gives the movie a pulse.

Elvis' acting echoes the movie itself which starts out fairly drably and improves it goes on. When Elvis goes on Paget for leaving him (he thinks) he is very convincing. When he shoots Egan and is screaming "Get away from him, leave him alone" there's a real expressive quiver in his performance. His amatuerishness helps him here as his character is reaching for the words that won't come due to the depth of his shock and heartbreak. There's just a reality achieved here and when he dies you actually feel a sense of tragedy and loss. Elvis has created someone we know and love and when he comes up at the end singing looking impossibly cool we also realize a sense of beauty. I know it's partly because of the way we feel about Elvis and Elvis' early departure adds an extra sense of loss but still it's quite an achievement for a guy who had never acted in his life before to create that sense of attachment even though we know he'll back in "Loving You".

Elvis' less-stylized acting rubbed off on the rest of the cast. Watch Brand's quick look at Elvis after he fires the shot. It's a great bit, he can't believe it himself.

Stylistic flaws and overacting to the side the weakest part of Elvis' performance is his musical numbers. Not only are his movements way too sexual and outrageous for their time but his facial expressions let us in on a subversive nature that was true to Elvis but alien to this character.

The songs themselves except the title song are fairly rinky dink though they do sound old fashioned enough except for Elvis' phrasing which is far too individual for the time period.

All in all, "Love Me Tender" is a deeply flawed movie but one that is worth going back to more than once for a variety of reasons and this is the best presentation on DVD of this or any Elvis movie to date.
Last edited by likethebike on Tue Mar 07, 2006 7:48 am, edited 1 time in total.

Mon Feb 27, 2006 2:55 am

One thing I should note the DVD edition of "Change of Habit" alleges to be special edition and features some production notes, a trailer and a discography.

Mon Feb 27, 2006 1:48 pm

There is however an eager to please quality about the performance that is not only endearing but fits the character. There is also an actor's deterimination at work here. Look at the way Elvis stays in character all through the scene where he's brothers are being cross-examined at the school house even though he has no lines. Not bad stuff for an amateur in his first performance.

Elvis' less-stylized acting rubbed off on the rest of the cast. Watch Brand's quick look at Elvis after he fires the shot. It's a great bit, he can't believe it himself.


Damn good stuff as always from LTB.
Now I'll have to go watch it again! & it was never a favourite of mine!
It's about time Elvis fans got more than "just the movie" on DVD.
Hopefully this is just the start.

Cheers
Piers

Mon Feb 27, 2006 2:31 pm

PiersEIN wrote:Damn good stuff as always from LTB.
Now I'll have to go watch it again! & it was never a favourite of mine!
It's about time Elvis fans got more than "just the movie" on DVD.
Hopefully this is just the start.

Cheers
Piers


Agree about LTB !

Yes, let's hope the old idea of "if it's Elvis they'll buy it, don't let's bother with extras" is gone for good.

Mon Feb 27, 2006 10:19 pm

I think we'll probably see some more Elvis movies get the SE treatment especially as the company's vaults empty and they have to start re-releasing stuff to keep those profits going. We're already getting second dips for a lot of movies that came out with bare bones editions and sometimes we're even getting second and third special editions which can be downright annoying. I think when they first started putting out DVDs they didn't realize there was a market for anything but the movies. A lot of seminal movies- "Dog Day Afternoon", "The Apartment", "Twelve Angry Men", "The Searchers" etc were put out in skimpy bare bones editions and now a lot of them are coming in out in special two disc sets.

Tue Feb 28, 2006 12:59 am

likethebike - Great review, as usual. I'm really looking forward to Love Me Tender now since my version from the 3-DVD-boxset (together with Flaming Star and Wild In The Country) is defective and I never really got over the design of both the cover and the DVD menu. It might sound narrow-minded but that simply wasn't the right thing somehow.

I'm really looking forward to that comment by Jerry Schilling who I think is an absolutely great guy and narrator and very interesting (and believable) to listen to as what comes closest to a "historic source". But most important to me is the fact that it's the b/w version of LMT in the end. In fact that was the only reason that kept me from pre-ordering it on Amazon. BTW - Where did you get your copy since the release date is said to be Feb. 28th on Amazon?

Tue Feb 28, 2006 1:02 am

A Borders I visited had it in the store this weekend.

Tue Feb 28, 2006 10:54 am

Thanks for review. I heard an interview by Elvis not being very happy with his work on LMT. Elvis said that he should have played himself like Brando and Dean.

Tue Feb 28, 2006 12:01 pm

He was not pleased. He commented on how far Clint was from his personality. I think he was a little hard on himself perhaps partially inspired by the brutal drubbing he received from the nation's critics at that time. There's no escaping that he overacts at times especially towards the beginning of the film. Still, there's a certain vibrance to his presence here and an emotional truth in some of his later scenes. Interestingly, this is the one Elvis acting performance that Albert Goldman liked.

Also, interestingly we find that Clint is 23 at his death. It's probably the only time in his career that Elvis played older than his age. The other movies where he's supposed to be a specific age he's a little younger than the real Elvis. In "Kid Galahad" we learn that he was born in 1939. In "Clambake" the date has moved back to 1940. Had Elvis stayed in movies long enough he could have passed Lisa Marie.

What this has to do with anything I don't know. But one odd ball fact (like Goldman liking the film) leads to another I guess.

Tue Feb 28, 2006 8:40 pm

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Well done, 'Bike. It's impossible to ignore that early Christ-like imagery that also surfaced famously in his last film, "Change of Habit."

Someday I'm going to possibly bring myself to look at Goldman's book to see if any percentage of it is worth a damn. I last looked at it in High School years ago when it was stocked as if it was the "definitive" biography on Elvis.

I look forward to the reissued LMT. We should all support these versions.

I, too, have found some of his acting in LMT to be quite good, particularly for an outright amateur.

Incidentally, one of his co-stars in LMT (was it Brand?) is featured prominently in that 12- part Passport Video documentary series that EPE sued over. This actor had some great anecdotes about the high jinks of Elvis on the LMT set, his relationship with the Colonel, and his approach to acting. A missed opportunity, indeed.

Also, a British Elvis documentary on I have on DVD-R has some great latter day comments by Richard Egan.

This DVD is going to shoot ahead of my shopping list as I struggle to keep up with FTD...

As for Change of Habit, is there more than one DVD version? I have one of them.

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From Saturday's NY POST:
http://www.nypost.com/entertainment/64199.htm

THE RETURN OF THE KING

By LOU LUMENICK --------------------------------------------------------------------------------
Elvis rocks in new DVD
February 26, 2006 -- 'LOVE Me Tender," Elvis Presley's first movie, is also his most unusual. It was the only time the King played a supporting role, and it was the only movie not originally conceived with him in mind.
According to a documentary accompanying a new 50th-anniversary DVD out this week, "Love Me Tender" began life as "The Reno Brothers," a script that had been kicking around 20th Century Fox for a while.

It got dusted off when producer Hal Wallis and MGM - who had signed Presley to separate contracts - got bogged down in developing what became two of the best Elvis movies: the semi-autobiographical "Lovin' You" and "Jailhouse Rock."

So Wallis loaned Presley to Fox for a B-western with a post-Civil War setting, starring the forgotten Richard Egan and Debra Paget. Elvis landed a third-place, "and introducing" credit as Egan's brother. Elvis' character marries his sibling's girlfriend (Paget) while wrongly believing his brother's been killed.

Presley originally told reporters he wouldn't sing in the movie, but Fox decided to maximize the impact of his debut by adding four musical numbers, three of which - "We're Gonna Move," "Let Me" and "Poor Boy" - were accompanied by Presley's anachronistic pelvic thrusts.

The big hit, though, was "Love Me Tender," which matched new words with an actual Civil War-era song. Elvis' first major ballad was a No. 1 hit when "Love Me Tender" arrived in theaters in November 1956 - and the movie recouped its $1 million budget in three days. The King's teenage fans defied generally negative reviews.

"Appraising Presley as an actor, he ain't," said an anonymous reviewer for Variety. "Not that it makes much difference."

The New York Times headlined its review "Culture Takes a Holiday" and critic Bosley Crowther declared that "Mr. Presley's dramatic contribution is not a great deal more impressive than one of the [horses]."

The Post's critic, Archer Winsten, declared the King "surprisingly able in his portrayals of love and love turning to hatred "He has all the emotions that he has heretofore expressed merely with larynx and pelvis."

lou.lumenick@nypost.com
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From the NY Times' 2/28 article NEW DVD's
(excerpt)

Love Me Tender

Elvis Presley was still a novelty act when 20th Century Fox cast him in his first feature film, "Love Me Tender," in 1956, and the studio wasn't taking any chances. A modestly budgeted black-and-white western (though, like all Fox films of the period, it was photographed in CinemaScope), the film finds Presley in a glorified supporting role, billed third after the ostensible stars, Richard Egan and Debra Paget. The Civil War storyline (Mr. Egan is a Confederate guerrilla who returns home to find Ms. Paget, his fiancée, wedded to his baby brother, Elvis) makes it a little awkward to introduce hip-gyrating rock 'n' roll, but the director, the Fox functionary Robert D. Webb ("Beneath the 12-Mile Reef"), is blissfully oblivious to questions of historical accuracy. The film's silliest scene is probably also the most satisfying to Elvis fans: a community jamboree that finds the young King performing his patented pelvic thrusts before an audience of screaming young women in gingham dresses — sort of a rural version of the Paramount Theater.
20th Century Fox Home Entertainment, $19.98, not rated.
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Tue Feb 28, 2006 10:41 pm

The Goldman book is worth reading because of the mirror it shines on its supporters. The book is full of errors and fabrications, attribution and documentation are minimal, the text is filled with name calling and ethnic slurs. Yet at one time this was book was considered the "definitive" biography of Elvis Presley. The acceptance of the book which looked right past all these obvious defects that would discredit another biography on any other figure says a lot about the widespread perceptions about working and under class culture and its heroes. They look past the defects because the book told them what they want to hear. Goldman could have written just about anything and he did.

Reading it really drives that point home in a way that a review never does. It's shockingly bad and you just have to start asking questions about cultural bias and perception when you think back on that initial acceptance.

Wed Mar 01, 2006 12:20 am

LTB, I'm glad you noted Debra Paget's overacting. I never really noticed it before for some reason, until I saw her on the Milton Berle Show with Elvis... and she's just *so* bad.... trying to use "in/hip" language that you can tell is very foreign to her - even moreso than it would be to Berle, who's more than a few years her senior.

After that, I thought "She wasn't that bad in 'Love Me Tender'", but then I watched it again and said.. "Yeah, I guess she was".

Also funny is that, in some ways, Debra and Elvis almost look related..

Too bad it doesn't have the colorized version, I would have loved to see it in perfect quality.

Speaking of, if anybody has a copy of the whole movie in good quality and without the Chinese subtitles, please PM me.

Fri Mar 03, 2006 4:50 pm

Jamie, I think I've noticed some of the physical similarities of Elvis and Debra Paget, who oddly enough at different angles has reminded me of Priscilla.

I think part of this is that Elvis was the Greek embodiment of Western ideals of beauty and the equally-striking Paget also is of this ilk.

It's not so much that we want to "marry our sister" but I do think their is a degree of self-love (narcissim?) at play when people pick their mates. Similiar "types" find their way together in some instances -but of course not as a rule.
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Here are some additional photos of the DVD package:

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Sat Mar 04, 2006 11:10 pm

One hell of a review, as usual, LTB. I think you just talked me into upgrading my DVD of LMT to this new edition. Damn you for making me take another trip out to Best Buy! ;)

Sat Mar 04, 2006 11:33 pm

I wasn't nuts about it either. I wish they'd have released this version the first time.

Mon Mar 06, 2006 6:23 am

I went to Wal Mart and Target tonite to look for this DVD and no copies to be found :!: :cry:

Oh well, maybe next week...

Thanks for the review bike :!:

Mon Mar 06, 2006 7:35 am

Go to Borders. Both Borders I visited had multiple copies.

Mon Mar 06, 2006 5:56 pm

It's in Best Buy, too.

Wal-Mart is evil anyway. :evil: :lol:

Thu Mar 09, 2006 12:11 am

likethebike, Cool review.

I found the extras weren't too bad and it is a wonderful start towards "special edition" Elvis DVD releases (TTWII SE doesn't count in my opinion).

Let's hope there are many more to follow like Love Me Tender SE!

Thu Mar 09, 2006 5:33 am

The Wal-marts around here have stocked up on it like they expect to sell quite a few which is a first for any Elvis movie to date ($14.84). I usually have to track them down and pay twice as much for them. And now looks like I should probably buy this version too.....thanks for the in depth Bike........I just wish they would get the rest of the unreleased ones this way (isn't Wild In The Country due up next?) so that they do not have to be bought twice. Still awaiting Elvis On Tour (in a DELUXE MULTI-DISC PRESENTATION), "Tickle Me", "Stay Away Joe", "Charro (Uncensored)", "Live A Little, Love A Little", "Girl Happy", and yeah....even the worst of the lot, "Kissin Cousins" :wink:

Tue Mar 14, 2006 2:17 am

I bought this dvd recently Its very cool with the pictures and eveything inlcuded :lol:

Mon Feb 05, 2007 9:40 pm

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Mon Feb 12, 2007 8:13 am

Johanesson, pretty neat stuff. How is that a fellow in Iceland has himself a copy of that? Is that from a book or do you have the clipping? :shock:

I have the DVD set and really enjoyed seeing it a few weeks back. I want to re-watch it soon with the commentary track playing as I watch it...

I feel it's good to support this new version as we'd all like other Elvis movies to be likewise upgraded...

Mon Feb 12, 2007 11:23 am

No,i don't have this clipping,i found it on Kay Wheeler's site. There are wonderful and rare Elvis photos!!! Esp. in the Gallery. Unfortunately it's impossible to save them. Check that site.

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http://www.kaywheeler.com/kayhome.html

Wed Feb 14, 2007 9:59 pm

Hi there!! :D :D :D.

Very nice review 8). Thank you!! Likethebike. One question please, is the new book The Love Me Tender Diaries by Trude Forsher any worth? :?. I have attempted to buy it, but I am not sure, I haven´t read any positive feedback on it :roll:. Bye for now :wink:.

Mike Windgren.

Viva el vino, viva el dinero, viva, viva el amor!!.