Wed Aug 03, 2011 1:50 am
rizzy56 wrote:IMETJB wrote:londonflash wrote:On a side note, maybe the more familiar the images become, the less their ability to shock is? Certainly that way for me..
I would agree. Unfortunately, many "fans" simply do not care. They don't care to figure out 1) why it is they want the footage, 2) how they feel about having the public reminded of this footage and 3) what they expect the general reaction will be once this footage is released. Somehow, they believe the public is ready for the footage and wouldn't blink an eye if it were released.
I still cannot understand how any sane fan can push for this footage to be officially released in its complete form.
i dont know about you but i as afan would rather watch EIC and feel the compassion for the artish, than see another impersonator or some dumb arse Mr potato head, pushed out there to make ajoke of his image.
Wed Aug 03, 2011 1:58 am
IMETJB wrote:rizzy56 wrote:IMETJB wrote:londonflash wrote:On a side note, maybe the more familiar the images become, the less their ability to shock is? Certainly that way for me..
I would agree. Unfortunately, many "fans" simply do not care. They don't care to figure out 1) why it is they want the footage, 2) how they feel about having the public reminded of this footage and 3) what they expect the general reaction will be once this footage is released. Somehow, they believe the public is ready for the footage and wouldn't blink an eye if it were released.
I still cannot understand how any sane fan can push for this footage to be officially released in its complete form.
i dont know about you but i as afan would rather watch EIC and feel the compassion for the artish, than see another impersonator or some dumb arse Mr potato head, pushed out there to make ajoke of his image.
Why do people constantly think this is an either/or issue? In a perfect world (which is the only place one could entertain these scenarios) if I had to choose either a potato head Elvis or a 3 DVD boxset of EIC...I would pick NEITHER.
You cannot find Elvis potato heads in your local Best Buy or Wal-Mart. You can only get it from the Elvis catalog online or by actually going to Memphis and getting one. A EIC release would be available worldwide at any store that sells DVDs. How are these the same issues??
Wed Aug 03, 2011 2:03 am
rizzy56 wrote:IMETJB wrote:rizzy56 wrote:IMETJB wrote:londonflash wrote:On a side note, maybe the more familiar the images become, the less their ability to shock is? Certainly that way for me..
I would agree. Unfortunately, many "fans" simply do not care. They don't care to figure out 1) why it is they want the footage, 2) how they feel about having the public reminded of this footage and 3) what they expect the general reaction will be once this footage is released. Somehow, they believe the public is ready for the footage and wouldn't blink an eye if it were released.
I still cannot understand how any sane fan can push for this footage to be officially released in its complete form.
i dont know about you but i as afan would rather watch EIC and feel the compassion for the artish, than see another impersonator or some dumb arse Mr potato head, pushed out there to make ajoke of his image.
Why do people constantly think this is an either/or issue? In a perfect world (which is the only place one could entertain these scenarios) if I had to choose either a potato head Elvis or a 3 DVD boxset of EIC...I would pick NEITHER.
You cannot find Elvis potato heads in your local Best Buy or Wal-Mart. You can only get it from the Elvis catalog online or by actually going to Memphis and getting one. A EIC release would be available worldwide at any store that sells DVDs. How are these the same issues??
well if they are more happy to put their best efforts into potato heads and impersonators, and not the man himself..well it gives you some kind of idea whats instore in the years to come.
Wed Aug 03, 2011 2:09 am
Wed Aug 03, 2011 2:12 am
Wed Aug 03, 2011 2:16 am
drjohncarpenter wrote:Delboy wrote:Just played the CBS Elvis in Concert video for the first time in years; had to switch it off. It is seriously painful viewing. I know Elvis (and CP) were in financial trouble but how they thought this would get them back on track is beyond me. Hard work. If you think having this in Blue-Ray or surround sound etc will improve it you are delusional I think a dose of the 68 special is in order.
+1
Wed Aug 03, 2011 2:26 am
Wed Aug 03, 2011 2:42 am
Wed Aug 03, 2011 2:46 am
TCB-FAN wrote:I thought this debate about EIC ended several weeks ago. When will it stop ??
Wed Aug 03, 2011 2:50 am
Wed Aug 03, 2011 3:25 am
elvisalisellers wrote:drjohncarpenter wrote:Delboy wrote:Just played the CBS Elvis in Concert video for the first time in years; had to switch it off. It is seriously painful viewing. I know Elvis (and CP) were in financial trouble but how they thought this would get them back on track is beyond me. Hard work. If you think having this in Blue-Ray or surround sound etc will improve it you are delusional I think a dose of the 68 special is in order.
+1
- 1
A brand new sympathetic edit of EIC remastered from the original unedited video elements whilst utilizing and incorporating remixed multi-track audio would technically improve this much maligned TV Special, regardless of ones thoughts of the merits of Elvis' performance, there is no two ways about it.
Wed Aug 03, 2011 3:36 am
elvisalisellers wrote:drjohncarpenter wrote:Delboy wrote:Just played the CBS Elvis in Concert video for the first time in years; had to switch it off. It is seriously painful viewing. I know Elvis (and CP) were in financial trouble but how they thought this would get them back on track is beyond me. Hard work. If you think having this in Blue-Ray or surround sound etc will improve it you are delusional I think a dose of the 68 special is in order.
+1
- 1
A brand new sympathetic edit of EIC remastered from the original unedited video elements whilst utilizing and incorporating remixed multi-track audio would technically improve this much maligned TV Special, regardless of ones thoughts of the merits of Elvis' performance, there is no two ways about it.
Wed Aug 03, 2011 3:49 am
midnightx wrote:elvisalisellers wrote:drjohncarpenter wrote:Delboy wrote:Just played the CBS Elvis in Concert video for the first time in years; had to switch it off. It is seriously painful viewing. I know Elvis (and CP) were in financial trouble but how they thought this would get them back on track is beyond me. Hard work. If you think having this in Blue-Ray or surround sound etc will improve it you are delusional I think a dose of the 68 special is in order.
+1
- 1
A brand new sympathetic edit of EIC remastered from the original unedited video elements whilst utilizing and incorporating remixed multi-track audio would technically improve this much maligned TV Special, regardless of ones thoughts of the merits of Elvis' performance, there is no two ways about it.
A sympathetic edit? You mean one with the intro credits, the stage set-up sequencing, and end credits? That would be a killer presentation.
Wed Aug 03, 2011 3:55 am
Wed Aug 03, 2011 3:56 am
thxphotog wrote:elvisalisellers wrote:drjohncarpenter wrote:Delboy wrote:Just played the CBS Elvis in Concert video for the first time in years; had to switch it off. It is seriously painful viewing. I know Elvis (and CP) were in financial trouble but how they thought this would get them back on track is beyond me. Hard work. If you think having this in Blue-Ray or surround sound etc will improve it you are delusional I think a dose of the 68 special is in order.
+1
- 1
A brand new sympathetic edit of EIC remastered from the original unedited video elements whilst utilizing and incorporating remixed multi-track audio would technically improve this much maligned TV Special, regardless of ones thoughts of the merits of Elvis' performance, there is no two ways about it.
You can't polish a t**d! Hate to be harsh but I'm with the folks here that can't watch 5 seconds of this show and YES I'm a huge fan. It's because I'm a huge fan that I'm not able to watch it.
If I had a family member/girlfriend etc die from cancer (perhaps a bad example but I'll continue) I'm not going to want the world to see pictures of that person lying on their death-bed when there are many pics available that show how gorgeous and full of life this person was. To me this is Elvis on his death-bed and it's incredibly hard to watch.
Now where's that 68 Special and/or Aloha blu? I'll buy multiple copies of each and pass them out to friends and family!
Wed Aug 03, 2011 5:19 am
Wed Aug 03, 2011 6:53 am
IMETJB wrote:This is true as there are a few other moments throughout the broadcast that could easily be attributed to this. But I can't let the issue with YGMAM slide. While I don't believe the producers inserted the laughter to be spiteful, I do think they misunderstood Elvis' performance style. That edit, to me, reflects how they felt about Elvis and if they thought it was funny...or at least thought that Elvis was trying to be funny...they just missed the mark. Could be an innocent mistake. I would think that when editors are in front of the task of trying to piece together something watchable with this trainwreck of a performance...the last thing they'd want to add is a jab or low blow to the performer. Elvis was right when he said "he needed all the help he could get..." but in this one particular case, the editors flubbed.
Wed Aug 03, 2011 7:35 am
Wed Aug 03, 2011 7:40 am
Wed Aug 03, 2011 7:59 am
GuitarKing wrote:The first time i saw a few songs from 77 was from the movie THIS IS ELVIS. I felt sick to my stomach.
Wed Aug 03, 2011 9:13 am
GuitarKing wrote:The first time i saw a few songs from 77 was from the movie THIS IS ELVIS. I felt sick to my stomach.
Wed Aug 03, 2011 12:23 pm
midnightx wrote:CBS' edit of Elvis In Concert is not half as bad as many proclaim it to be. The special as an appropriate mix of pre-concert footage, performances of hits that had to be included, and some vocal highlights captured on film. Some fans act as if the producers went out of their way to make a mockery of Elvis. The producers did not tell Elvis to lumber around the stage during Teddy Bear/Don't Be Cruel and toss away dozens of scarves to screaming grandmas -- yet, the producers understandably felt compelled to include a medley of those two monster hits that many viewers would expect to see, in addition to giving the audience a glimpse of the euphoria many female fans still felt towards their idol (regardless of their age). The producers didn't tell Elvis to toss away Hound Dog and Jailhouse Rock. Elvis did that on his own. And again, the inclusion of performances of Elvis' '50s gold would have been expected by viewers. It isn't as if the producers kept in the embarrassing monologue from Are You Lonesome Tonight. Some of the crowd shots can be construed as people laughing at Elvis, but those split-second shots are not overly obvious to the casual eye -- it is more of an issue for hardcore Elvis fans combing through the footage with watchful eyes.
With regards to the non-musical content, clearly some of the fan interviews came off as awkward and bizarre, but some also worked in their own way. The producers were trying to showcase an artist with a very broad, enthusiastic audience. The producers tried to show the size and scope of the touring operation with the pre-show set-up scenes. Additionally, it was only fitting to have Vernon share some thoughts on Elvis' career, especially once the special took on a different scope after Elvis' death.
Aside from the mixture of toss-away performances of Elvis' classics, the producers included respectable renditions of I Really Don't Want To Know, Hurt, How Great Thou Art, and My Way. Some fans believe that a new edit with the pitch-troubled, bellowing Trying To Get To You and painful, yet successful Unchained Melody would save the special. They would not. Clearly, Trying To Get To You is a better song than If You Love Me (Let Me Know), but with a handful of '50s tracks already slotted, perhaps the producers wanted more of a balance of contemporary numbers and that is why Olivia Newton-John's track remained.
It was an hour spectacle. The footage was damaging and probably very difficult to work with. CBS was obviously concerned with what it had to work with prior to Elvis' death. Once he died and they knew something needed to be pieced together, an appropriate edit was put together. A couple of tracks substituted for others would not have saved the EIC train-wreck.
Wed Aug 03, 2011 1:01 pm
midnightx wrote:A sympathetic edit? You mean one with the intro credits, the stage set-up sequencing, and end credits? That would be a killer presentation.
thxphotog wrote:You can't polish a t**d! Hate to be harsh but I'm with the folks here that can't watch 5 seconds of this show and YES I'm a huge fan. It's because I'm a huge fan that I'm not able to watch it.
Wed Aug 03, 2011 2:01 pm
midnightx wrote:CBS' edit of Elvis In Concert is not half as bad as many proclaim it to be. The special as an appropriate mix of pre-concert footage, performances of hits that had to be included, and some vocal highlights captured on film. Some fans act as if the producers went out of their way to make a mockery of Elvis. The producers did not tell Elvis to lumber around the stage during Teddy Bear/Don't Be Cruel and toss away dozens of scarves to screaming grandmas -- yet, the producers understandably felt compelled to include a medley of those two monster hits that many viewers would expect to see, in addition to giving the audience a glimpse of the euphoria many female fans still felt towards their idol (regardless of their age). The producers didn't tell Elvis to toss away Hound Dog and Jailhouse Rock. Elvis did that on his own. And again, the inclusion of performances of Elvis' '50s gold would have been expected by viewers. It isn't as if the producers kept in the embarrassing monologue from Are You Lonesome Tonight. Some of the crowd shots can be construed as people laughing at Elvis, but those split-second shots are not overly obvious to the casual eye -- it is more of an issue for hardcore Elvis fans combing through the footage with watchful eyes.
With regards to the non-musical content, clearly some of the fan interviews came off as awkward and bizarre, but some also worked in their own way. The producers were trying to showcase an artist with a very broad, enthusiastic audience. The producers tried to show the size and scope of the touring operation with the pre-show set-up scenes. Additionally, it was only fitting to have Vernon share some thoughts on Elvis' career, especially once the special took on a different scope after Elvis' death.
Aside from the mixture of toss-away performances of Elvis' classics, the producers included respectable renditions of I Really Don't Want To Know, Hurt, How Great Thou Art, and My Way. Some fans believe that a new edit with the pitch-troubled, bellowing Trying To Get To You and painful, yet successful Unchained Melody would save the special. They would not. Clearly, Trying To Get To You is a better song than If You Love Me (Let Me Know), but with a handful of '50s tracks already slotted, perhaps the producers wanted more of a balance of contemporary numbers and that is why Olivia Newton-John's track remained.
It was an hour spectacle. The footage was damaging and probably very difficult to work with. CBS was obviously concerned with what it had to work with prior to Elvis' death. Once he died and they knew something needed to be pieced together, an appropriate edit was put together. A couple of tracks substituted for others would not have saved the EIC train-wreck.
Wed Aug 03, 2011 2:51 pm
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